Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Seychelles and from Edmonton.
But I was there.
I was there in .
I was there at the first Suicide show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1964 to 1975.
I'm losing my edge.
To all the kids in Sao Paulo and Bologna.
I'm losing my edge to the art-school Tokyo kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1962 at the first Guess Who practice in a loft in Winnipeg.
I was working on the rhodes sounds with much patience.
I was there when Tom Verlaine started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Pagans to the rock kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by The Kinks. All the underground hits.
All Joe Finger tracks. I heard you have a vinyl of every Jacques Brel record on German import.
I heard that you have a white label of every seminal grunge hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '70s.
I hear you're buying a rhodes and a linndrum and are throwing your macbook out the window because you want to make something real. You want to make a Spandau Ballet record.
I hear that you and your band have sold your arpeggiator and bought an oboe.
I hear that you and your band have sold your oboe and bought an arpeggiator.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Wolf Eyes,
Max Romeo,
Little Man,
Y Pants,
Tomorrow,
The Motions,
The Modern Lovers,
Grauzone,
Deepchord,
Stetsasonic,
the Association,
Skriet,
Von Mondo,
Selector Dub Narcotic,
Bobbi Humphrey,
48th St. Collective,
Severed Heads,
David McCallum,
Susan Cadogan,
Pete Rock & C.L. Smooth,
June of 44,
Reagan Youth,
Country Joe & The Fish,
Deakin,
The Sonics,
The Five Americans,
Warsaw,
Grandmaster Flash and the Furious Five,
Wally Richardson,
Warren Ellis,
The Misunderstood,
Fat Boys,
Don Cherry,
Television Personalities,
The Pretty Things,
Blossom Toes,
Rhythim Is Rhythim,
Ronnie Foster,
Rites of Spring,
Royal Trux,
Reuben Wilson,
UT,
Suburban Knight,
Supertramp,
The Cure,
Angry Samoans,
Scientists,
Camron Feat. Memphis Bleek And Beenie Seigel,
Charles Mingus,
Tim Buckley,
Kerrie Biddell,
Patti Smith,
The Chocolate Watch Band,
The Residents,
Camberwell Now,
Jacques Brel,
Crispy Ambulance,
DeepChord presents Echospace,
Lee Hazlewood,
Public Enemy,
The Stooges,
Lebanon Hanover, Lebanon Hanover, Lebanon Hanover, Lebanon Hanover.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.