Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Liberia and from Manchester.
But I was there.

I was there in 1975.
I was there at the first Throbbing Gristle show in London.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1974.
I'm losing my edge.

To all the kids in Houston and Stockholm.
I'm losing my edge to the art-school Taipei kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1962 at the first Guess Who practice in a loft in Winnipeg.
I was working on the sitar sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing The Birthday Party to the rap kids.
I played it at CBGB's.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by The Jesus and Mary Chain. All the underground hits.

All The Gladiators tracks. I heard you have a vinyl of every Yaz record on German import.

I heard that you have a white label of every seminal dance hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '70s cut and another box set from the '90s.

I hear you're buying a sitar and a mellotron and are throwing your macbook out the window because you want to make something real. You want to make a Young Marble Giants record.

I hear that you and your band have sold your güiro and bought a clarinet.
I hear that you and your band have sold your clarinet and bought a güiro.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Pere Ubu, Moss Icon, Kas Product, Qualms, H. Thieme, The Raincoats, Motorama, Bobby Hutcherson, Matthew Halsall, David McCallum, Carl Craig, Deutsch Amerikanische Freundschaft, Schoolly D, Agent Orange, The Stooges, Al Stewart, Television, Eyeless In Gaza, Loose Ends, Bootsy Collins, Inner City, Tres Demented, Youth Brigade, Clear Light, Prince Buster, Sticky Fingaz feat. Raekwon, The Pretty Things, Ohio Players, Khruangbin, Danielle Patucci, Joy Division, Curtis Mayfield, Mark Hollis, Lightning Bolt, The American Breed, Niagra, Amazonics, Pussy Galore, Fluxion, Easy Going, Echo & the Bunnymen, Minutemen, Mandrill, Scott Walker, The Smoke, Parry Music, The Red Krayola, Groovy Waters, The Birthday Party, Black Sheep, The Toasters, Letta Mbulu, Teenage Jesus and the Jerks, the Fania All-Stars, Warsaw, Andrew Ashong & Theo Parrish, The Mojo Men, Avey Tare's Slasher Flicks, Avey Tare's Slasher Flicks, Avey Tare's Slasher Flicks, Avey Tare's Slasher Flicks.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)