Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Czech Republic and from Johannesburg.
But I was there.
I was there in .
I was there at the first Suicide show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1975.
I'm losing my edge.
To all the kids in Milan and New York.
I'm losing my edge to the art-school New York kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1962 at the first Guess Who practice in a loft in Winnipeg.
I was working on the spring reverb sounds with much patience.
I was there when David Bowie started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing New Age Steppers to the grunge kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Kerrie Biddell. All the underground hits.
All Sonny Sharrock tracks. I heard you have a vinyl of every Eric Copeland record on German import.
I heard that you have a white label of every seminal electroclash hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '90s.
I hear you're buying a theremin and an oboe and are throwing your macbook out the window because you want to make something real. You want to make a The Toasters record.
I hear that you and your band have sold your clarinet and bought a güiro.
I hear that you and your band have sold your güiro and bought a clarinet.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
The Flesh Eaters,
Radio Birdman,
The Jesus and Mary Chain,
Trumans Water,
Heaven 17,
The Birthday Party,
Lakeside,
The Sisters of Mercy,
Frankie Knuckles,
Wire,
Hasil Adkins,
The Real Kids,
Rosa Yemen,
Interpol,
Idris Muhammad,
Animal Collective,
Peter & Gordon,
DeepChord presents Echospace,
Lindisfarne,
Siouxsie and the Banshees,
PIL,
Y Pants,
The Detroit Cobras,
Deakin,
EPMD,
Technova,
The Selecter,
Second Layer,
Silicon Teens,
The Moody Blues,
Monks,
Eric Copeland,
Bauhaus,
The Tremeloes,
Monolake,
Ultimate Spinach,
Dennis Brown,
Jeru the Damaja,
The Saints,
Adolescents,
Grandmaster Flash,
Roger Hodgson,
The Leaves,
Thee Headcoats,
Orchestral Manoeuvres in the Dark,
Röyhkä ja Rättö ja Lehtisalo,
CMW,
Scion,
Letta Mbulu,
Suicide,
Siglo XX,
Qualms,
N.O.R.E. Featuring Pharrell,
DNA,
Anakelly,
Lyres,
Gong,
The Velvet Underground,
K-Klass,
Tropical Tobacco,
The Gories,
Lebanon Hanover,
kango's stein massive, kango's stein massive, kango's stein massive, kango's stein massive.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.