Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Cape Verde and from Glasgow.
But I was there.
I was there in 1971.
I was there at the first Big Star show in Memphis.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1967 to 1977.
I'm losing my edge.
To all the kids in Madrid and Cairo.
I'm losing my edge to the art-school Beijing kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1971 at the first Neu! practice in a loft in Düsseldorf.
I was working on the marimba sounds with much patience.
I was there when Nile Rodgers started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Idris Muhammad to the jazz kids.
I played it at the 40 Watt.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Malaria!. All the underground hits.
All Talk Talk tracks. I heard you have a vinyl of every Charles Mingus record on German import.
I heard that you have a white label of every seminal dance hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '70s cut and another box set from the '90s.
I hear you're buying a mellotron and a sitar and are throwing your macbook out the window because you want to make something real. You want to make a Fear record.
I hear that you and your band have sold your arpeggiator and bought a harpsichord.
I hear that you and your band have sold your harpsichord and bought an arpeggiator.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Rakim,
Barrington Levy,
Flamin' Groovies,
Man Parrish,
Altered Images,
Franke,
Country Joe & The Fish,
Quantec,
Marine Girls,
Sun Ra Arkestra,
Babytalk,
Oppenheimer Analysis,
Porter Ricks,
The Walker Brothers,
Prince Buster,
The Toasters,
The Standells,
Yazoo,
Harry Pussy,
Sun Ra,
Gichy Dan,
The Cosmic Jokers,
Lalo Schifrin,
Unwound,
Sixth Finger,
The Dead C,
Drexciya,
The Blues Magoos,
Outsiders,
Mark Hollis,
Scion,
Eurythmics,
Brick,
Marshall Jefferson,
Rod Modell,
Peter Gordon & Love of Life Orchestra,
Tomorrow,
Warren Ellis,
FM Einheit,
Slick Rick,
N.O.R.E. Featuring Pharrell,
The New Christs,
A Flock of Seagulls,
Major Organ And The Adding Machine,
MC5,
Pete Rock & C.L. Smooth,
The Electric Prunes,
K-Klass,
Rahsaan Roland Kirk,
ABBA,
Max Romeo,
Jimmy McGriff,
Animal Collective,
Echospace,
Gang Green,
The Doors,
The Gun Club,
48th St. Collective,
Marcia Griffiths,
Television,
Avey Tare's Slasher Flicks,
Lungfish,
Peter & Gordon, Peter & Gordon, Peter & Gordon, Peter & Gordon.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.