Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Norway and from Milan.
But I was there.

I was there in 1980.
I was there at the first Cybotron show in Detroit.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1973.
I'm losing my edge.

To all the kids in Stockholm and Lagos.
I'm losing my edge to the art-school Salvador kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1977 at the first Mistral practice in a loft in Amsterdam.
I was working on the 808 sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Neu! to the techno kids.
I played it at the 40 Watt.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Barbara Tucker. All the underground hits.

All Essential Logic tracks. I heard you have a vinyl of every Quadrant record on German import.

I heard that you have a white label of every seminal dance hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '70s.

I hear you're buying a güiro and an arpeggiator and are throwing your macbook out the window because you want to make something real. You want to make a The Men They Couldn't Hang record.

I hear that you and your band have sold your sitar and bought a linndrum.
I hear that you and your band have sold your linndrum and bought a sitar.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Lebanon Hanover, Eric B and Rakim, Sam Rivers, Drexciya, Johnny Clarke, The New Christs, Neil Young & Crazy Horse, The Young Rascals, The Seeds, Mr. Review, Circle Jerks, Reagan Youth, The Sonics, Masta Ace, Craig G, Kool G Rap, Big Daddy Kane, Bobby Byrd, The Searchers, Ronan, Pantaleimon, Warsaw, The Mojo Men, Smog, Zero Boys, Teenage Jesus and the Jerks, Oblivians, the Sonics, Hasil Adkins, Masters at Work, De La Soul & Jungle Brothers, Gong, Sexual Harrassment, Ituana, Soulsonic Force, Goldenarms, A Flock of Seagulls, T. Rex, Simply Red, Von Mondo, The Move, It's A Beautiful Day, Lucky Dragons, Lafayette Afro Rock Band, John Holt, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, T.S.O.L., Throbbing Gristle, Qualms, Arcadia, The Barracudas, Faraquet, Japan, Harmonia, The Red Krayola, kango's stein massive, Negative Approach, The Residents, Electric Prunes, Flash Fearless, Marine Girls, The Velvet Underground, Y Pants, Popol Vuh, Amon Düül II, Amon Düül II, Amon Düül II, Amon Düül II.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)