Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Oman and from Tehran.
But I was there.
I was there in 1962.
I was there at the first Guess Who show in Winnipeg.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1962 to 1972.
I'm losing my edge.
To all the kids in Spokane and Shanghai.
I'm losing my edge to the art-school Paris kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Feelies practice in a loft in Haledon.
I was working on the synthesizer sounds with much patience.
I was there when Tom Verlaine started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Dawn Penn to the rock kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Boogie Down Productions. All the underground hits.
All Avey Tare tracks. I heard you have a vinyl of every La Düsseldorf record on German import.
I heard that you have a white label of every seminal funk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '70s cut and another box set from the '90s.
I hear you're buying a güiro and a snare and are throwing your macbook out the window because you want to make something real. You want to make a Desert Stars record.
I hear that you and your band have sold your harpsichord and bought a mellotron.
I hear that you and your band have sold your mellotron and bought a harpsichord.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Man Eating Sloth,
Prince Buster,
Delon & Dalcan,
Symarip,
Mary Jane Girls,
Public Enemy,
Zapp,
Juan Atkins,
Robert Wyatt,
Iggy Pop,
Matthew Halsall,
Maleditus Sound,
Hot Snakes,
Dead Boys,
John Lydon,
Quadrant,
Kango’s Stein Massive,
Pere Ubu,
Motorama,
Kayak,
Rites of Spring,
Adolescents,
Whodini,
Siouxsie and the Banshees,
Derrick May,
The Motions,
Dark Day,
The Knickerbockers,
Q and Not U,
A Certain Ratio,
Connie Case,
The Cowsills,
Little Man,
X-102,
The Seeds,
Wolf Eyes,
Ten City,
Quando Quango,
L. Decosne,
June of 44,
Warren Ellis,
cv313,
The Techniques,
Talk Talk,
CMW,
Ohio Players,
Louis and Bebe Barron,
The Count Five,
ABC,
Dual Sessions,
Technova,
The Cure,
T.S.O.L.,
Yusef Lateef,
Marmalade,
Fad Gadget,
Gang Starr,
Chris Corsano,
Vainqueur,
Pulsallama,
Brothers Johnson,
The Shadows of Knight, The Shadows of Knight, The Shadows of Knight, The Shadows of Knight.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.