Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Australia and from Seoul.
But I was there.

I was there in 1967.
I was there at the first Rodriguez show in Detroit.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1969 to 1976.
I'm losing my edge.

To all the kids in Copenhagen and Halifax.
I'm losing my edge to the art-school Manchester kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1976 at the first Chic practice in a loft in New York.
I was working on the rhodes sounds with much patience.
I was there when David Bowie started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Idris Muhammad to the techno kids.
I played it at the 40 Watt.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Ituana. All the underground hits.

All The Index tracks. I heard you have a vinyl of every Simply Red record on German import.

I heard that you have a white label of every seminal punk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.

I hear you're buying a synthesizer and a spring reverb and are throwing your macbook out the window because you want to make something real. You want to make a Ronnie Foster record.

I hear that you and your band have sold your theremin and bought a guitar.
I hear that you and your band have sold your guitar and bought a theremin.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Masta Ace, Craig G, Kool G Rap, Big Daddy Kane, The Seeds, Gang Green, Sad Lovers and Giants, X-101, Andrew Ashong & Theo Parrish, The J.B.'s, Joe Finger, June of 44, Deepchord, Audionom, Robert Hood, Brand Nubian, Derrick May, Underground Resistance, The Trojans, Sly & The Family Stone, Lungfish, Zero Boys, Todd Rundgren, Arthur Verocai, Skarface, New Order, Barbara Tucker, Rufus Thomas, Arcadia, The Blues Magoos, The Angels of Light, Skriet, Neil Young, Joyce Sims, Black Bananas, Eden Ahbez, Barry Ungar, Boredoms, Dave Gahan, Livin' Joy, Pet Shop Boys, Circle Jerks, Agent Orange, Ultravox, Lou Reed, The Fuzztones, Young Marble Giants, Chris Corsano, Ponytail, R.M.O., Gary Puckett & The Union Gap, Soulsonic Force, Piero Umiliani, Index, Gang Starr, Fugazi, The Neon Judgement, Bluetip, Thompson Twins, Girls At Our Best!, New Age Steppers, New Age Steppers, New Age Steppers, New Age Steppers.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)