Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Equatorial Guinea and from Stockholm.
But I was there.

I was there in 1971.
I was there at the first Selda show in Istanbul.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1968 to 1974.
I'm losing my edge.

To all the kids in Copenhagen and Hong Kong.
I'm losing my edge to the art-school Edmonton kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1976 at the first Soft Boys practice in a loft in Cambridge.
I was working on the arpeggiator sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Monks to the disco kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Stiv Bators. All the underground hits.

All The Shadows of Knight tracks. I heard you have a vinyl of every Faust record on German import.

I heard that you have a white label of every seminal electroclash hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '70s.

I hear you're buying a harpsichord and a 808 and are throwing your macbook out the window because you want to make something real. You want to make a The Standells record.

I hear that you and your band have sold your marimba and bought a mellotron.
I hear that you and your band have sold your mellotron and bought a marimba.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Thinking Fellers Union Local 282, Notorious BIG live in Amsterdam, cv313, Erykah Badu, Accadde A, Angels of Light & Akron/Family, The Victims, Blancmange, Sunsets and Hearts, The Fall, Procol Harum, Oblivians, Soul Sonic Force, Stetsasonic, Albert Ayler, Howard Jones, Terror Squad Feat. Camron, Von Mondo, The Monochrome Set, Michelle Simonal, The Pop Group, Aswad, Arthur Verocai, The Index, Gastr Del Sol, Shoche, kango's stein massive, Stereo Dub, CMW, The Slits, Anakelly, Heavy D & The Boyz, Super Lover Cee & Casanova Rud, Sound Behaviour, The Music Machine, Kings Of Tomorrow, N.O.R.E. Featuring Pharrell, The Black Dice, The Royal Family And The Poor, Echospace, The Doors, John Lydon, The Dirtbombs, These Immortal Souls, Suburban Knight, Hoover, Suicide, The Birthday Party, Fluxion, Graham Central Station, Piero Umiliani, Funky Four + One, Japan, Technova, The Toasters, Red Lorry Yellow Lorry, Pagans, Minnie Riperton, Cheater Slicks, June Days, The Walker Brothers, Connie Case, Manfred Mann's Earth Band, Manfred Mann's Earth Band, Manfred Mann's Earth Band, Manfred Mann's Earth Band.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)