Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Niger and from Lyon.
But I was there.
I was there in 1962.
I was there at the first Guess Who show in Winnipeg.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1969 to 1978.
I'm losing my edge.
To all the kids in Woodstock and Tokyo.
I'm losing my edge to the art-school Portland kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1984 at the first Arcadia practice in a loft in London.
I was working on the spring reverb sounds with much patience.
I was there when Nile Rodgers started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Jerry Gold Smith to the rap kids.
I played it at the Crocodile.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Suburban Knight. All the underground hits.
All Tom Boy tracks. I heard you have a vinyl of every E-Dancer record on German import.
I heard that you have a white label of every seminal crunk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '70s cut and another box set from the '70s.
I hear you're buying a harpsichord and a spring reverb and are throwing your macbook out the window because you want to make something real. You want to make a Henry Cow record.
I hear that you and your band have sold your organ and bought an arpeggiator.
I hear that you and your band have sold your arpeggiator and bought an organ.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Spoonie Gee,
Marc Romboy vs. Booka Shade,
Rosa Yemen,
Gang Green,
N.O.R.E. Featuring Pharrell,
Simply Red,
Godley & Creme,
Stetsasonic,
June Days,
Babytalk,
Scratch Acid,
Iggy Pop,
Model 500,
The Grass Roots,
Rakim,
Don Cherry,
Icehouse,
Dorothy Ashby,
The Gories,
Fad Gadget,
Lou Reed,
Ronan,
Heaven 17,
FM Einheit,
Unwound,
Todd Terry,
Danielle Patucci,
Technova,
Brand Nubian,
The Golliwogs,
Dual Sessions,
Swell Maps,
Man Parrish,
Pantaleimon,
Public Enemy,
Cabaret Voltaire,
Smog,
The Gladiators,
Gary Puckett & The Union Gap,
LL Cool J,
The Tremeloes,
H. Thieme,
Lakeside,
Gabor Szabo,
The Saints,
Sticky Fingaz feat. Raekwon,
Little Man,
Faust,
The Knickerbockers,
The American Breed,
Mary Jane Girls,
Pole,
Röyhkä ja Rättö ja Lehtisalo,
Visage,
Marine Girls,
DJ Style,
Aswad,
Jesper Dahlbäck,
Roger Hodgson,
Major Organ And The Adding Machine,
Ituana,
Fela Kuti,
DeepChord presents Echospace, DeepChord presents Echospace, DeepChord presents Echospace, DeepChord presents Echospace.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.