Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Cuba and from Toronto.
But I was there.
I was there in 1977.
I was there at the first Zapp show in Hamilton.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1966 to 1976.
I'm losing my edge.
To all the kids in Manila and Jakarta.
I'm losing my edge to the art-school Manchester kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1971 at the first Selda practice in a loft in Istanbul.
I was working on the organ sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Rowland S Howard / Lydia Lunch to the funk kids.
I played it at the Astoria.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Ludus. All the underground hits.
All Patti Smith tracks. I heard you have a vinyl of every Gang Starr record on German import.
I heard that you have a white label of every seminal jazz hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '70s.
I hear you're buying an organ and a harpsichord and are throwing your macbook out the window because you want to make something real. You want to make a John Coltrane record.
I hear that you and your band have sold your mellotron and bought an organ.
I hear that you and your band have sold your organ and bought a mellotron.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Brass Construction,
Lungfish,
Cheater Slicks,
Clear Light,
Aural Exciters,
Donald Byrd,
Tubeway Army,
Althea and Donna,
The Knickerbockers,
Audionom,
Porter Ricks,
Orchestral Manoeuvres in the Dark,
The Dead C,
The Velvet Underground,
London Community Gospel Choir,
Banda Bassotti,
Alice Coltrane,
Crime,
8 Eyed Spy,
Khruangbin,
UT,
Spandau Ballet,
Quadrant,
The Jesus and Mary Chain,
Kerrie Biddell,
Terror Squad Feat. Camron,
Albert Ayler,
Gil Scott Heron,
Pete Rock & C.L. Smooth,
John Holt,
The Martian,
Gregory Isaacs,
Sun City Girls,
Freddie Wadling,
Super Lover Cee & Casanova Rud,
Lafayette Afro Rock Band,
Boredoms,
The Black Dice,
The Durutti Column,
Yellowson,
Schoolly D,
The Electric Prunes,
Maurizio,
Spoonie Gee,
Anthony Braxton,
Ken Boothe,
The Real Kids,
The Remains,
Howard Jones,
The United States of America,
Gastr Del Sol,
The New Christs,
Captain Beefheart & His Magic Band,
Pantaleimon,
Gichy Dan,
Jesper Dahlbäck,
Reuben Wilson,
Black Flag,
the Human League,
Patti Smith,
Nils Olav,
Ultra Naté, Ultra Naté, Ultra Naté, Ultra Naté.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.