Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Lesotho and from Hong Kong.
But I was there.
I was there in 1983.
I was there at the first Bronski Beat show in Brixton.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1970.
I'm losing my edge.
To all the kids in Portland and Mexico City.
I'm losing my edge to the art-school Winnipeg kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1977 at the first Human League practice in a loft in Sheffield.
I was working on the harpsichord sounds with much patience.
I was there when Michael McDonald started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Average White Band to the techno kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Yellowson. All the underground hits.
All Rhythm & Sound tracks. I heard you have a vinyl of every The Peanut Butter Conspiracy record on German import.
I heard that you have a white label of every seminal grime hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '70s.
I hear you're buying a güiro and an arpeggiator and are throwing your macbook out the window because you want to make something real. You want to make a Man Parrish record.
I hear that you and your band have sold your güiro and bought a spring reverb.
I hear that you and your band have sold your spring reverb and bought a güiro.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Grandmaster Flash and the Furious Five,
Youth Brigade,
Mo-Dettes,
The Victims,
John Foxx,
The Gun Club,
Spandau Ballet,
Aaron Thompson,
Scratch Acid,
Slave,
Excepter,
Soft Cell,
Major Organ And The Adding Machine,
Brick,
Los Fastidios,
Cluster,
Curtis Mayfield,
DJ Style,
Freddie Wadling,
Donald Byrd,
The Cure,
Rod Modell,
Whodini,
Pole,
The Golliwogs,
Siouxsie and the Banshees,
Theoretical Girls,
Eric B and Rakim,
Minnie Riperton,
Danielle Patucci,
Fear,
Bobby Byrd,
Joy Division,
Duran Duran,
The Cramps,
Erykah Badu,
Severed Heads,
Bronski Beat,
John Lydon,
Public Enemy,
Pierre Henry,
Guru Guru,
Niagra,
Junior Murvin,
Ludus,
Dawn Penn,
World's Most,
Man Parrish,
Kerrie Biddell,
Average White Band,
Motorama,
Malaria!,
Sun Ra,
Peter Gordon & Love of Life Orchestra,
Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic,
Masta Ace, Craig G, Kool G Rap, Big Daddy Kane,
Surgeon,
Scrapy,
Rhythim Is Rhythim,
Inner City,
Joyce Sims,
Grauzone, Grauzone, Grauzone, Grauzone.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.