Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Togo and from Woodstock.
But I was there.
I was there in 1968.
I was there at the first Can show in Cologne.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1965 to 1979.
I'm losing my edge.
To all the kids in London and Seoul.
I'm losing my edge to the art-school Manila kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1975 at the first Ubu practice in a loft in Cleveland.
I was working on the 808 sounds with much patience.
I was there when Robert Palmer started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Boogie Down Productions to the jazz kids.
I played it at CBGB's.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Franke. All the underground hits.
All DJ Sneak tracks. I heard you have a vinyl of every Jeff Mills record on German import.
I heard that you have a white label of every seminal electroclash hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '70s.
I hear you're buying a rhodes and a mellotron and are throwing your macbook out the window because you want to make something real. You want to make a Yaz record.
I hear that you and your band have sold your organ and bought a spring reverb.
I hear that you and your band have sold your spring reverb and bought an organ.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Tropical Tobacco,
Q and Not U,
John Lydon,
Simply Red,
Sight & Sound,
Desert Stars,
Maleditus Sound,
Grey Daturas,
Jawbox,
X-101,
Marshall Jefferson,
The Last Poets,
Howard Jones,
Jacob Miller,
Blancmange,
Bootsy Collins,
Magma,
Reuben Wilson,
Man Parrish,
Soulsonic Force,
Ash Ra Tempel,
Notorious Big And Bone Thugs,
The Move,
Animal Collective,
The Young Rascals,
The Electric Prunes,
Tomorrow,
Nils Olav,
Bronski Beat,
E-Dancer,
Crash Course in Science,
Swell Maps,
Tim Buckley,
The Dead C,
KRS-One,
Liaisons Dangereuses,
Eli Mardock,
Avey Tare,
Electric Light Orchestra,
La Düsseldorf,
Organ,
cv313,
PIL,
Oneida,
Aural Exciters,
The Alarm Clocks,
Severed Heads,
Ice-T,
The Blues Magoos,
Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic,
The Pretty Things,
De La Soul & Jungle Brothers,
Larry & the Blue Notes,
Blossom Toes,
Fugazi,
James White and The Blacks,
Skaos,
Terry Callier,
Banda Bassotti,
Kauko Röyhkä ja Narttu,
Eric B and Rakim,
Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.