Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Kosovo and from Hong Kong.
But I was there.
I was there in 1978.
I was there at the first Visage show in London.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1968 to 1977.
I'm losing my edge.
To all the kids in Jakarta and Madrid.
I'm losing my edge to the art-school Sao Paulo kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1975 at the first Ubu practice in a loft in Cleveland.
I was working on the synthesizer sounds with much patience.
I was there when Nile Rodgers started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Donald Byrd to the grunge kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic. All the underground hits.
All Leonard Cohen tracks. I heard you have a vinyl of every Panda Bear record on German import.
I heard that you have a white label of every seminal dance hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.
I hear you're buying a sitar and a rhodes and are throwing your macbook out the window because you want to make something real. You want to make a Magazine record.
I hear that you and your band have sold your chamberlin and bought a snare.
I hear that you and your band have sold your snare and bought a chamberlin.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Kayak,
The Grass Roots,
The Fire Engines,
Kaleidoscope,
The Human League,
Scratch Acid,
Peter and Kerry,
Bizarre Inc.,
Crime,
Howard Jones,
Slave,
Notorious Big And Bone Thugs,
Tom Boy,
Intrusion,
Mission of Burma,
Cybotron,
The Names,
Idris Muhammad,
Aswad,
Can,
Oblivians,
Barbara Tucker,
E-Dancer,
Tres Demented,
Agent Orange,
A Certain Ratio,
Stereo Dub,
Malaria!,
Jeff Lynne,
The Sonics,
Newcleus,
David McCallum,
Soft Cell,
Lonnie Liston Smith,
Bobby Byrd,
The Sound,
KRS-One,
The Move,
The Doors,
Connie Case,
Black Pus,
Derrick Morgan,
New Age Steppers,
Michelle Simonal,
Jesper Dahlbäck,
Bobby Sherman,
Sticky Fingaz feat. Raekwon,
The Misunderstood,
Scan 7,
Iggy Pop,
The Trojans,
D'Angelo,
Magma,
The Mojo Men,
The Last Poets,
The Music Machine,
10cc,
Dark Day,
Guru Guru,
Technova,
The Leaves,
The Barracudas, The Barracudas, The Barracudas, The Barracudas.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.