Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Moldova and from Manchester.
But I was there.
I was there in .
I was there at the first Suicide show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1961 to 1974.
I'm losing my edge.
To all the kids in Philadelphia and Philadelphia.
I'm losing my edge to the art-school Jakarta kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1980 at the first Cybotron practice in a loft in Detroit.
I was working on the chamberlin sounds with much patience.
I was there when Lou Reed started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Kerri Chandler to the grunge kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Erasure. All the underground hits.
All Prince Buster tracks. I heard you have a vinyl of every X-101 record on German import.
I heard that you have a white label of every seminal punk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '80s.
I hear you're buying a spring reverb and an organ and are throwing your macbook out the window because you want to make something real. You want to make a Cybotron record.
I hear that you and your band have sold your rhodes and bought a spring reverb.
I hear that you and your band have sold your spring reverb and bought a rhodes.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
New York Dolls,
Notorious Big And Bone Thugs,
Rites of Spring,
Howard Jones,
Negative Approach,
Jeff Lynne,
Metal Thangz,
8 Eyed Spy,
Dave Gahan,
The Cramps,
the Bar-Kays,
Pet Shop Boys,
Ornette Coleman,
Steve Hackett,
Pantaleimon,
Fugazi,
Tomorrow,
Henry Cow,
Ten City,
Harry Pussy,
Sonny Sharrock,
Tommy Roe,
Suburban Knight,
Ohio Players,
Country Joe & The Fish,
The Selecter,
Sun City Girls,
Cybotron,
Michelle Simonal,
Mad Mike,
PIL,
The Doobie Brothers,
Altered Images,
Saccharine Trust,
D'Angelo,
Scratch Acid,
Goldenarms,
Oppenheimer Analysis,
Absolute Body Control,
Black Bananas,
Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic,
Sparks,
Cheater Slicks,
Junior Murvin,
Alton Ellis,
Adolescents,
Ponytail,
F. McDonald,
The Remains,
Lou Reed & John Cale,
Bad Manners,
Isaac Hayes,
Niagra,
48th St. Collective,
Hashim,
Dawn Penn,
Gang Gang Dance,
Underground Resistance,
John Lydon,
Barry Ungar,
Curtis Mayfield,
cv313, cv313, cv313, cv313.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.