Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Brazil and from Salvador.
But I was there.

I was there in 1968.
I was there at the first Can show in Cologne.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1973.
I'm losing my edge.

To all the kids in Taipei and Hong Kong.
I'm losing my edge to the art-school Woodstock kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 2001 at the first Tiga practice in a loft in Montreal.
I was working on the synthesizer sounds with much patience.
I was there when Lou Reed started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Trumans Water to the funk kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by EPMD. All the underground hits.

All Eddi Front tracks. I heard you have a vinyl of every Röyhkä ja Rättö ja Lehtisalo record on German import.

I heard that you have a white label of every seminal disco hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '70s cut and another box set from the '90s.

I hear you're buying a chamberlin and an arpeggiator and are throwing your macbook out the window because you want to make something real. You want to make a Mark Hollis record.

I hear that you and your band have sold your linndrum and bought a 808.
I hear that you and your band have sold your 808 and bought a linndrum.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Negative Approach, Scrapy, Outsiders, The Pretty Things, Los Fastidios, Avey Tare's Slasher Flicks, Bobby Womack, Althea and Donna, Oblivians, Roxette, Kings Of Tomorrow, Lou Reed & John Cale, Ralphi Rosario, Skaos, Jesper Dahlback, Motorama, June of 44, Audionom, Rowland S Howard / Lydia Lunch, Eyeless In Gaza, EPMD, Yellowson, Johnny Clarke, Chrome, Warsaw, Boredoms, The Blues Magoos, The Angels of Light, Bob Dylan, Marcia Griffiths, D'Angelo, Funky Four + One, U.S. Maple, Liliput, Public Image Ltd., James White and The Blacks, The Red Krayola, Surgeon, B.T. Express, UT, Aloha Tigers, The Busters, Joyce Sims, DeepChord presents Echospace, Television Personalities, Susan Cadogan, Sonic Youth, Zapp, Gang Gang Dance, Thinking Fellers Union Local 282, John Coltrane, Girls At Our Best!, Banda Bassotti, Television, Danielle Patucci, Robert Görl, New Order, Amazonics, Camron Feat. Jay Z And Juelz, Anthony Braxton, DJ Style, Andrew Ashong & Theo Parrish, The Smoke, Spandau Ballet, the Bar-Kays, the Bar-Kays, the Bar-Kays, the Bar-Kays.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)