Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Turkmenistan and from Jakarta.
But I was there.

I was there in 1971.
I was there at the first Big Star show in Memphis.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1978.
I'm losing my edge.

To all the kids in Mumbai and Mumbai.
I'm losing my edge to the art-school Shanghai kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1977 at the first Mistral practice in a loft in Amsterdam.
I was working on the harpsichord sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Kango’s Stein Massive to the grime kids.
I played it at Trash.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by X-102. All the underground hits.

All UT tracks. I heard you have a vinyl of every Underground Resistance record on German import.

I heard that you have a white label of every seminal techno hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '90s.

I hear you're buying a 808 and an oboe and are throwing your macbook out the window because you want to make something real. You want to make a Bluetip record.

I hear that you and your band have sold your sitar and bought a theremin.
I hear that you and your band have sold your theremin and bought a sitar.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Visionaries,LMNO, T- Love & Iriscience, Aloha Tigers, The Monks, Strawberry Alarm Clock, Lou Christie, Bootsy Collins, Kayak, Excepter, Visage, N.O.R.E. Featuring Pharrell, Rapeman, In Retrospect, Yazoo, Freddie Wadling, Maurizio, AZ, Byron Stingily, Whodini, Buzzcocks, Jesper Dahlbäck, The Leaves, The Shadows of Knight, John Lydon, The Sound, Neil Young, Moby Grape, The Modern Lovers, Kango’s Stein Massive, Leonard Cohen, Arthur Verocai, London Community Gospel Choir, Moss Icon, De La Soul & Jungle Brothers, Bush Tetras, Joey Negro, 8 Eyed Spy, Sixth Finger, Stetsasonic, The Detroit Cobras, Lucky Dragons, Maleditus Sound, The Dead C, Pulsallama, Bobby Womack, Liliput, Wire, The Five Americans, Rhythim Is Rhythim, Vainqueur, Masters at Work, Outsiders, Bobby Byrd, Gang Gang Dance, The Gap Band, Trumans Water, Eric Dolphy, Niagra, Swell Maps, The United States of America, Grandmaster Flash, A Certain Ratio, Model 500, Camron Feat. Jay Z And Juelz, Camron Feat. Jay Z And Juelz, Camron Feat. Jay Z And Juelz, Camron Feat. Jay Z And Juelz.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)