Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Belize and from Bremen.
But I was there.
I was there in 1979.
I was there at the first Second Layer show in South London.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1968 to 1976.
I'm losing my edge.
To all the kids in Glasgow and Columbus.
I'm losing my edge to the art-school Taipei kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1971 at the first Big Star practice in a loft in Memphis.
I was working on the organ sounds with much patience.
I was there when Tom Verlaine started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Organ to the electroclash kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Deutsch Amerikanische Freundschaft. All the underground hits.
All Marine Girls tracks. I heard you have a vinyl of every Dawn Penn record on German import.
I heard that you have a white label of every seminal grime hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '90s.
I hear you're buying a sitar and an oboe and are throwing your macbook out the window because you want to make something real. You want to make a Terrestrial Tones record.
I hear that you and your band have sold your guitar and bought a clarinet.
I hear that you and your band have sold your clarinet and bought a guitar.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Dave Gahan,
Eric Copeland,
Max Romeo,
Severed Heads,
Rowland S Howard / Lydia Lunch,
Monolake,
Peter Gordon & Love of Life Orchestra,
Pantaleimon,
Joy Division,
Shuggie Otis,
Barrington Levy,
The Offenders,
cv313,
Nick Fraelich,
JFA,
The Dead C,
Siglo XX,
The Detroit Cobras,
Can,
Q and Not U,
Sticky Fingaz feat. Raekwon,
Camron Feat. Memphis Bleek And Beenie Seigel,
Marvin Gaye,
Gary Puckett & The Union Gap,
Moss Icon,
Nirvana,
Terrestrial Tones,
Althea and Donna,
Groovy Waters,
X-102,
Soft Cell,
Public Enemy,
The Sisters of Mercy,
Porter Ricks,
Manfred Mann's Earth Band,
Warsaw,
Lindisfarne,
Minor Threat,
The New Christs,
The Moody Blues,
Y Pants,
Sight & Sound,
Pole,
Bill Near,
The Gories,
Joensuu 1685,
Duran Duran,
Arcadia,
David Axelrod,
Scan 7,
Pete Rock & C.L. Smooth,
The Electric Prunes,
Art Ensemble Of Chicago,
The Fall,
Röyhkä ja Rättö ja Lehtisalo,
Malaria!,
The West Coast Pop Art Experimental Band,
Girls At Our Best!,
Andrew Hill,
Khruangbin,
Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.