Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Kuwait and from Lille.
But I was there.

I was there in 1979.
I was there at the first Josef K show in Edinburgh.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1977.
I'm losing my edge.

To all the kids in Tokyo and Madrid.
I'm losing my edge to the art-school Winnipeg kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1983 at the first Bronski Beat practice in a loft in Brixton.
I was working on the arpeggiator sounds with much patience.
I was there when Holger Czukay started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Scrapy to the disco kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Marine Girls. All the underground hits.

All Bootsy Collins tracks. I heard you have a vinyl of every Judy Mowatt record on German import.

I heard that you have a white label of every seminal funk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.

I hear you're buying a 808 and a theremin and are throwing your macbook out the window because you want to make something real. You want to make a Bang On A Can record.

I hear that you and your band have sold your clarinet and bought an organ.
I hear that you and your band have sold your organ and bought a clarinet.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

cv313, Erasure, Livin' Joy, Slick Rick, Fela Kuti, Gang of Four, Soulsonic Force, Black Flag, Wolf Eyes, Rotary Connection, Bizarre Inc., New Order, Sällskapet, John Cale, The Music Machine, Lonnie Liston Smith, Stiv Bators, Morten Harket, The Sonics, Can, The Invisible, The Misunderstood, Joe Finger, Arab on Radar, Organ, Main Source, Camouflage, D'Angelo, Whodini, John Coltrane, Sly & The Family Stone, Richard Hell and the Voidoids, Marmalade, Wasted Youth, Captain Beefheart & His Magic Band, Mantronix, The Tremeloes, The Last Poets, Lightning Bolt, Lakeside, Simply Red, The Slits, Amon Düül, Sight & Sound, Delon & Dalcan, Television Personalities, FM Einheit, Quantec, Bad Manners, Johnny Clarke, Robert Görl, Vainqueur, James White and The Blacks, Liaisons Dangereuses, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Altered Images, The Searchers, The Knickerbockers, Minnie Riperton, Minnie Riperton, Minnie Riperton, Minnie Riperton.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)