Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Mauritania and from Lyon.
But I was there.
I was there in 1977.
I was there at the first Human League show in Sheffield.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1966 to 1971.
I'm losing my edge.
To all the kids in Toronto and Johannesburg.
I'm losing my edge to the art-school Jakarta kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1962 at the first Guess Who practice in a loft in Winnipeg.
I was working on the synthesizer sounds with much patience.
I was there when Holger Czukay started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing James White and The Blacks to the rock kids.
I played it at the Astoria.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Röyhkä ja Rättö ja Lehtisalo. All the underground hits.
All T.S.O.L. tracks. I heard you have a vinyl of every Oppenheimer Analysis record on German import.
I heard that you have a white label of every seminal electroclash hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.
I hear you're buying a theremin and a güiro and are throwing your macbook out the window because you want to make something real. You want to make a Ten City record.
I hear that you and your band have sold your chamberlin and bought a güiro.
I hear that you and your band have sold your güiro and bought a chamberlin.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Pete Rock & C.L. Smooth,
Fear,
The Standells,
KRS-One,
Nico,
Marshall Jefferson,
The Names,
AZ,
Au Pairs,
The Pretty Things,
The Gladiators,
Godley & Creme,
Das Ding,
Faraquet,
Mantronix,
Jawbox,
Jerry's Kids,
Al Stewart,
Delta 5,
Althea and Donna,
The Smiths,
Shoche,
Blake Baxter,
Index,
A Flock of Seagulls,
Cecil Taylor,
The Beau Brummels,
Marine Girls,
Nick Cave & The Bad Seeds,
Lou Reed & Metallica,
Sight & Sound,
Kayak,
Strawberry Alarm Clock,
Tommy Roe,
Nils Olav,
Unrelated Segments,
The Mummies,
Peter & Gordon,
Ultra Naté,
B.T. Express,
Panda Bear,
Scott Walker,
Goldenarms,
The Dead C,
Malaria!,
Roxy Music,
Isaac Hayes,
The Remains,
The Stooges,
Rites of Spring,
Desert Stars,
Sunsets and Hearts,
June of 44,
Soft Machine,
Anakelly,
Metal Thangz,
The Dirtbombs,
Reagan Youth,
The Music Machine,
Sandy B,
Deutsch Amerikanische Freundschaft,
Ken Boothe,
Fad Gadget, Fad Gadget, Fad Gadget, Fad Gadget.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.