Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Kazakhstan and from Houston.
But I was there.

I was there in 1979.
I was there at the first Josef K show in Edinburgh.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1961 to 1977.
I'm losing my edge.

To all the kids in Jakarta and Toronto.
I'm losing my edge to the art-school Mumbai kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1977 at the first Zapp practice in a loft in Hamilton.
I was working on the clarinet sounds with much patience.
I was there when Lou Reed started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing The Cure to the grunge kids.
I played it at Cafe Wha.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Vaughan Mason & Crew. All the underground hits.

All Max Romeo tracks. I heard you have a vinyl of every Captain Beefheart & His Magic Band record on German import.

I heard that you have a white label of every seminal grime hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '80s.

I hear you're buying an oboe and a chamberlin and are throwing your macbook out the window because you want to make something real. You want to make a Yaz record.

I hear that you and your band have sold your theremin and bought a 808.
I hear that you and your band have sold your 808 and bought a theremin.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Dawn Penn, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Masta Ace, Craig G, Kool G Rap, Big Daddy Kane, Sparks, Radiopuhelimet, Jacques Brel, Throbbing Gristle, Deakin, Isaac Hayes, Television, Suicide, Ituana, Thee Headcoats, the Fania All-Stars, Monks, Desert Stars, a-ha, Japan, Bobby Byrd, Soul II Soul, Simply Red, Funky Four + One, Main Source, Drive Like Jehu, Barrington Levy, The Knickerbockers, Eric Copeland, The Fugs, Notorious BIG live in Amsterdam, Aloha Tigers, Michelle Simonal, Cybotron, Ronnie Foster, Peter and Kerry, The Wake, Ultramagnetic MC's, Fort Wilson Riot, Sandy B, Technova, Faust, H. Thieme, The Victims, Nico, Ronan, Cluster, The Fire Engines, Marshall Jefferson, Joe Finger, Mary Jane Girls, Lalann, Massinfluence, Sun Ra Arkestra, Avey Tare, Underground Resistance, Saccharine Trust, The Sound, The Count Five, Davy DMX, Von Mondo, Das Ding, The Selecter, The Selecter, The Selecter, The Selecter.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)