Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Brazil and from Bremen.
But I was there.
I was there in 1983.
I was there at the first Lewis show in Vancouver.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1969 to 1978.
I'm losing my edge.
To all the kids in Lagos and London.
I'm losing my edge to the art-school Mumbai kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Feelies practice in a loft in Haledon.
I was working on the harpsichord sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing A Certain Ratio to the dance kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by MC5. All the underground hits.
All Pierre Henry tracks. I heard you have a vinyl of every The Cramps record on German import.
I heard that you have a white label of every seminal electroclash hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '70s cut and another box set from the '70s.
I hear you're buying a guitar and a spring reverb and are throwing your macbook out the window because you want to make something real. You want to make a Heaven 17 record.
I hear that you and your band have sold your sitar and bought a güiro.
I hear that you and your band have sold your güiro and bought a sitar.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Q65,
Dawn Penn,
The Evens,
Kerrie Biddell,
Organ,
Ornette Coleman,
Nas,
Mo-Dettes,
Jandek,
Cabaret Voltaire,
Bizarre Inc.,
Television,
Buzzcocks,
Glambeats Corp.,
Cymande,
The Grass Roots,
Reuben Wilson,
Banda Bassotti,
Funky Four + One,
OOIOO,
Hot Snakes,
The Chocolate Watch Band,
David Axelrod,
The Fuzztones,
Liaisons Dangereuses,
Severed Heads,
Don Cherry,
Interpol,
The Searchers,
Bobbi Humphrey,
the Normal,
Supertramp,
Siouxsie and the Banshees,
Fat Boys,
Darondo,
Zero Boys,
Red Lorry Yellow Lorry,
Nik Kershaw,
Depeche Mode,
Gary Puckett & The Union Gap,
Yaz,
Terror Squad Feat. Camron,
Sister Nancy,
Wolf Eyes,
The Barracudas,
Fluxion,
Vladislav Delay,
Kauko Röyhkä ja Narttu,
Big Daddy Kane,
Fela Kuti,
Lou Christie,
Maleditus Sound,
Vainqueur,
Jawbox,
Glenn Branca,
Notorious BIG live in Amsterdam,
Eric Copeland,
Ultra Naté,
Subhumans,
Procol Harum,
Radiopuhelimet,
Godley & Creme,
Robert Görl,
kango's stein massive, kango's stein massive, kango's stein massive, kango's stein massive.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.