Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Sri Lanka and from Cairo.
But I was there.

I was there in 1975.
I was there at the first Ubu show in Cleveland.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1969 to 1977.
I'm losing my edge.

To all the kids in Stockholm and Toronto.
I'm losing my edge to the art-school Tokyo kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in at the first Suicide practice in a loft in New York.
I was working on the arpeggiator sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Echospace to the rap kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Skaos. All the underground hits.

All London Community Gospel Choir tracks. I heard you have a vinyl of every Country Joe & The Fish record on German import.

I heard that you have a white label of every seminal funk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.

I hear you're buying a marimba and an organ and are throwing your macbook out the window because you want to make something real. You want to make a Swell Maps record.

I hear that you and your band have sold your harpsichord and bought an organ.
I hear that you and your band have sold your organ and bought a harpsichord.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

World's Most, Agitation Free, The Names, UT, Joy Division, The United States of America, Tropical Tobacco, Sparks, Lee Hazlewood, Maurizio, Joe Finger, Gil Scott-Heron and Jamie xx, Royal Trux, Terror Squad Feat. Camron, Derrick Morgan, Deepchord, Neil Young & Crazy Horse, the Slits, One Last Wish, Icehouse, Brand Nubian, Chrome, Notorious Big And Bone Thugs, Yazoo, Silicon Teens, Lyres, DNA, Skaos, Gang Green, Janne Schatter, The Five Americans, Minor Threat, Public Enemy, Bobby Hutcherson, Public Image Ltd., Roxette, Bob Dylan, FM Einheit, La Düsseldorf, Kenny Larkin, Mr. Review, The Gun Club, Visage, Ultimate Spinach, Wire, The Vogues, Buzzcocks, The Cowsills, Delta 5, Flash Fearless, Gang Starr, 48th St. Collective, Negative Approach, The Gories, ABC, Ten City, Heaven 17, Anthony Braxton, Anthony Braxton, Anthony Braxton, Anthony Braxton.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)