Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Egypt and from Hong Kong.
But I was there.
I was there in 1983.
I was there at the first Lewis show in Vancouver.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1971.
I'm losing my edge.
To all the kids in London and Bologna.
I'm losing my edge to the art-school Columbus kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Buzzcocks practice in a loft in Bolton.
I was working on the güiro sounds with much patience.
I was there when Lou Reed started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing The Fall to the disco kids.
I played it at Cafe Wha.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by 8 Eyed Spy. All the underground hits.
All Joyce Sims tracks. I heard you have a vinyl of every The Smiths record on German import.
I heard that you have a white label of every seminal rap hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '80s.
I hear you're buying an organ and a mellotron and are throwing your macbook out the window because you want to make something real. You want to make a Yazoo record.
I hear that you and your band have sold your chamberlin and bought a linndrum.
I hear that you and your band have sold your linndrum and bought a chamberlin.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Tubeway Army,
E-Dancer,
Mo-Dettes,
Marmalade,
Stockholm Monsters,
Richard Hell and the Voidoids,
Glambeats Corp.,
Harmonia,
Fifty Foot Hose,
Gang Green,
John Cale,
Gabor Szabo,
Aloha Tigers,
David Bowie,
Roger Hodgson,
The Sonics,
the Fania All-Stars,
Motorama,
Iggy Pop,
Brand Nubian,
The Five Americans,
The Velvet Underground,
Amazonics,
Faraquet,
Crime,
Roy Ayers Ubiquity,
The Techniques,
The Red Krayola,
Bootsy Collins,
Leonard Cohen,
Nico,
Magma,
Gerry Rafferty,
John Holt,
Ohio Players,
Jacques Brel,
Babytalk,
The Human League,
Sly & The Family Stone,
DeepChord presents Echospace,
Terry Callier,
Joe Smooth,
Aaron Thompson,
Lonnie Liston Smith,
Essential Logic,
Robert Hood,
The Gap Band,
Eric B and Rakim,
The Residents,
cv313,
Jesper Dahlback,
Pet Shop Boys,
Barrington Levy,
Ultravox,
Grandmaster Flash and the Furious Five,
Aswad,
Black Sheep,
Metal Thangz,
Kerri Chandler,
Sonny Sharrock,
Cecil Taylor,
Peter and Kerry,
Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.