Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Cameroon and from Madrid.
But I was there.
I was there in 1965.
I was there at the first Beefheart show in Lancaster.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1961 to 1976.
I'm losing my edge.
To all the kids in Mexico City and Sao Paulo.
I'm losing my edge to the art-school Tehran kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1979 at the first Second Layer practice in a loft in South London.
I was working on the 808 sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Excepter to the grime kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Electric Light Orchestra. All the underground hits.
All The Blackbyrds tracks. I heard you have a vinyl of every Flamin' Groovies record on German import.
I heard that you have a white label of every seminal rock hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.
I hear you're buying a 808 and an arpeggiator and are throwing your macbook out the window because you want to make something real. You want to make a Deutsch Amerikanische Freundschaft record.
I hear that you and your band have sold your organ and bought a clarinet.
I hear that you and your band have sold your clarinet and bought an organ.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Frankie Knuckles,
Sound Behaviour,
Hot Snakes,
Yusef Lateef,
The Five Americans,
Kerrie Biddell,
Franke,
Erasure,
Pete Rock & C.L. Smooth,
Soul II Soul,
It's A Beautiful Day,
Clear Light,
The Alarm Clocks,
Connie Case,
Yazoo,
Traffic Nightmare,
T.S.O.L.,
Teenage Jesus and the Jerks,
Jacques Brel,
Slick Rick,
Agitation Free,
Angry Samoans,
Bizarre Inc.,
Selector Dub Narcotic,
Marc Almond,
Peter Gordon & Love of Life Orchestra,
Marshall Jefferson,
New York Dolls,
John Cale,
Spandau Ballet,
Kayak,
Gian Franco Pienzio,
Donald Byrd,
Glambeats Corp.,
cv313,
Soft Cell,
Blossom Toes,
Rod Modell,
Animal Collective,
Cheater Slicks,
MDC,
Dead Boys,
New Order,
Janne Schatter,
Wally Richardson,
the Human League,
Monolake,
Drexciya,
Hashim,
Darondo,
Michelle Simonal,
Anakelly,
Lalo Schifrin,
The Moody Blues,
Barrington Levy,
Rapeman,
The Black Dice,
Roxette,
the Bar-Kays,
the Fania All-Stars,
Richard Hell and the Voidoids, Richard Hell and the Voidoids, Richard Hell and the Voidoids, Richard Hell and the Voidoids.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.