Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Morocco and from Accra.
But I was there.

I was there in .
I was there at the first Suicide show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1969 to 1972.
I'm losing my edge.

To all the kids in Beijing and Stockholm.
I'm losing my edge to the art-school Portland kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1971 at the first Selda practice in a loft in Istanbul.
I was working on the arpeggiator sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Matthew Halsall to the dance kids.
I played it at the Spitz.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Thee Headcoats. All the underground hits.

All Jerry Gold Smith tracks. I heard you have a vinyl of every In Retrospect record on German import.

I heard that you have a white label of every seminal techno hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.

I hear you're buying a theremin and a chamberlin and are throwing your macbook out the window because you want to make something real. You want to make a ABC record.

I hear that you and your band have sold your organ and bought a synthesizer.
I hear that you and your band have sold your synthesizer and bought an organ.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

John Foxx, The Divine Comedy, Sunsets and Hearts, The Leaves, The Fuzztones, Slave, Thee Headcoats, The Cure, The Walker Brothers, Sticky Fingaz feat. Raekwon, Lalann, Tears for Fears, Cecil Taylor, Amon Düül II, The Gun Club, Cheater Slicks, Ajijia Myrayebe, New Age Steppers, Drexciya, The Cramps, DJ Style, Quadrant, Reagan Youth, Soul Sonic Force, Big Daddy Kane, Stiv Bators, The Young Rascals, Crash Course in Science, Bobby Byrd, The Happenings, Sun City Girls, Patti Smith, Hardrive, The Durutti Column, The Peanut Butter Conspiracy, Larry & the Blue Notes, Echo & the Bunnymen, Blancmange, Organ, Lee Hazlewood, Main Source, The Blackbyrds, The Searchers, James White and The Blacks, Accadde A, Altered Images, Nik Kershaw, Theoretical Girls, Eddi Front, Faraquet, Echospace, China Crisis, Henry Cow, Camron Feat. Jay Z And Juelz, Stetsasonic, Roy Ayers, Marmalade, Eric Dolphy, Robert Görl, Pet Shop Boys, Kango’s Stein Massive, Avey Tare & Kría Brekkan, Avey Tare & Kría Brekkan, Avey Tare & Kría Brekkan, Avey Tare & Kría Brekkan.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)