Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Norway and from Cairo.
But I was there.

I was there in 1983.
I was there at the first Bronski Beat show in Brixton.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1967 to 1978.
I'm losing my edge.

To all the kids in Tehran and Calgary.
I'm losing my edge to the art-school London kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1976 at the first Buzzcocks practice in a loft in Bolton.
I was working on the organ sounds with much patience.
I was there when Holger Czukay started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Smog to the techno kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Warren Ellis. All the underground hits.

All The Detroit Cobras tracks. I heard you have a vinyl of every Absolute Body Control record on German import.

I heard that you have a white label of every seminal crunk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '70s.

I hear you're buying a clarinet and a spring reverb and are throwing your macbook out the window because you want to make something real. You want to make a Max Romeo record.

I hear that you and your band have sold your chamberlin and bought an oboe.
I hear that you and your band have sold your oboe and bought a chamberlin.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Marine Girls, Mary Jane Girls, Wally Richardson, Barclay James Harvest, Essential Logic, Section 25, The Mighty Diamonds, Scott Walker + Sunn O))), Interpol, Average White Band, Lou Reed, Aloha Tigers, Eli Mardock, Harmonia, Cecil Taylor, Lucky Dragons, Warsaw, Sonny Sharrock, KRS-One, Nirvana, Marmalade, Liliput, MDC, Accadde A, UT, Captain Beefheart & His Magic Band, Brothers Johnson, The Divine Comedy, The Count Five, Quantec, The Names, X-102, Animal Collective, Subhumans, Slave, The Knickerbockers, The Leaves, Symarip, Alice Coltrane, EPMD, In Retrospect, Patti Smith, The Men They Couldn't Hang, Funkadelic, ABBA, Eric Dolphy, The Peanut Butter Conspiracy, Model 500, Saccharine Trust, T. Rex, Swell Maps, Hoover, The Star Department, Scientists, Bobby Womack, Lizzy Mercier Descloux, Television Personalities, Marvin Gaye, Moebius, The Index, Swans, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)