Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Finland and from Portland.
But I was there.

I was there in 1984.
I was there at the first Arcadia show in London.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1965 to 1975.
I'm losing my edge.

To all the kids in Tehran and Johannesburg.
I'm losing my edge to the art-school Winnipeg kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1977 at the first Human League practice in a loft in Sheffield.
I was working on the rhodes sounds with much patience.
I was there when Nile Rodgers started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Larry & the Blue Notes to the grunge kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Warsaw. All the underground hits.

All Little Man tracks. I heard you have a vinyl of every ABBA record on German import.

I heard that you have a white label of every seminal rap hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '90s.

I hear you're buying a 808 and a chamberlin and are throwing your macbook out the window because you want to make something real. You want to make a Idris Muhammad record.

I hear that you and your band have sold your güiro and bought an oboe.
I hear that you and your band have sold your oboe and bought a güiro.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

The J.B.'s, Wire, Talk Talk, Roy Ayers Ubiquity, The Skatalites, Interpol, The Fall, Zapp, Todd Rundgren, FM Einheit, The Stooges, Juan Atkins, Groovy Waters, Barbara Tucker, Joyce Sims, Donny Hathaway, The Leaves, Monks, Marc Almond, Jawbox, Electric Light Orchestra, Kango’s Stein Massive, Au Pairs, Spandau Ballet, Swell Maps, Rhythm & Sound, Shoche, Boz Scaggs, The Blackbyrds, Sällskapet, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Lizzy Mercier Descloux, Black Sheep, Gregory Isaacs, a-ha, Sister Nancy, Drive Like Jehu, Soul Sonic Force, the Human League, Los Fastidios, Delta 5, The Index, The Happenings, Eli Mardock, Lou Reed, Gastr Del Sol, Masta Ace, Craig G, Kool G Rap, Big Daddy Kane, Boogie Down Productions, Toni Rubio, Eric Copeland, Malaria!, Porter Ricks, Jerry's Kids, Erasure, Angry Samoans, A Flock of Seagulls, LL Cool J, Robert Wyatt, Minnie Riperton, Guru Guru, Wasted Youth, Wasted Youth, Wasted Youth, Wasted Youth.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)