Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Turkmenistan and from Glasgow.
But I was there.

I was there in 1976.
I was there at the first Feelies show in Haledon.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1965 to 1973.
I'm losing my edge.

To all the kids in Houston and London.
I'm losing my edge to the art-school Madrid kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1977 at the first Human League practice in a loft in Sheffield.
I was working on the spring reverb sounds with much patience.
I was there when Robert Palmer started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Make Up to the crunk kids.
I played it at the Astoria.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Parry Music. All the underground hits.

All FM Einheit tracks. I heard you have a vinyl of every Essential Logic record on German import.

I heard that you have a white label of every seminal dance hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.

I hear you're buying a linndrum and a 808 and are throwing your macbook out the window because you want to make something real. You want to make a David McCallum record.

I hear that you and your band have sold your linndrum and bought a rhodes.
I hear that you and your band have sold your rhodes and bought a linndrum.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

The Blues Magoos, Deepchord, Dawn Penn, June Days, Richard Hell and the Voidoids, Ronan, Sticky Fingaz feat. Raekwon, Y Pants, JFA, Chrome, Johnny Osbourne, Bill Near, The Durutti Column, Fluxion, Oblivians, Todd Terry, Shoche, AZ, The Searchers, Charles Mingus, Nik Kershaw, Altered Images, Quadrant, Rhythim Is Rhythim, The Barracudas, Mark Hollis, Theoretical Girls, Boz Scaggs, Gong, Jawbox, Roger Hodgson, Bobby Womack, Kaleidoscope, Judy Mowatt, Popol Vuh, Lalo Schifrin, Jeff Lynne, Archie Shepp, Trumans Water, Glambeats Corp., Vainqueur, Eurythmics, Gastr Del Sol, Radiohead, Quando Quango, Minor Threat, Sarah Menescal, The Alarm Clocks, John Coltrane, X-101, Soft Machine, James Chance & The Contortions, Barry Ungar, Jacob Miller, John Foxx, Todd Rundgren, Vladislav Delay, Pharaoh Sanders and the Fire Engines, The Litter, The Moody Blues, The Moody Blues, The Moody Blues, The Moody Blues.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)