Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Kuwait and from Accra.
But I was there.
I was there in 1962.
I was there at the first Guess Who show in Winnipeg.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1967 to 1973.
I'm losing my edge.
To all the kids in Beijing and Copenhagen.
I'm losing my edge to the art-school Paris kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Wire practice in a loft in Watford.
I was working on the synthesizer sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing ABBA to the crunk kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Don Cherry. All the underground hits.
All Avey Tare & Kría Brekkan tracks. I heard you have a vinyl of every The Human League record on German import.
I heard that you have a white label of every seminal rock hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '70s cut and another box set from the '80s.
I hear you're buying a mellotron and a güiro and are throwing your macbook out the window because you want to make something real. You want to make a Strawberry Alarm Clock record.
I hear that you and your band have sold your marimba and bought a theremin.
I hear that you and your band have sold your theremin and bought a marimba.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Sugar Minott,
The Trojans,
Oneida,
Yusef Lateef,
Manfred Mann's Earth Band,
Q and Not U,
Deadbeat,
Susan Cadogan,
Rosa Yemen,
Easy Going,
Jacques Brel,
The Alarm Clocks,
Monolake,
The Divine Comedy,
Harpers Bizarre,
Crime,
Surgeon,
Niagra,
Outsiders,
Franke,
Lizzy Mercier Descloux,
Flipper,
Kool Moe Dee,
Skaos,
Index,
Iggy Pop,
The Dave Clark Five,
Junior Murvin,
Laurel Aitken,
Thompson Twins,
Rowland S Howard / Lydia Lunch,
JFA,
Rakim,
Ash Ra Tempel,
Sex Pistols,
Fela Kuti,
Siouxsie and the Banshees,
Derrick Morgan,
Ten City,
The Peanut Butter Conspiracy,
The Angels of Light,
The Buckinghams,
Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic,
cv313,
Blancmange,
Nik Kershaw,
Byron Stingily,
Drexciya,
Slave,
Max Romeo,
Shoche,
Moebius,
Avey Tare & Kría Brekkan,
Parry Music,
FM Einheit,
Underground Resistance,
DJ Sneak,
Tommy Roe,
Suicide,
Vainqueur,
The Selecter,
L. Decosne,
Boogie Down Productions, Boogie Down Productions, Boogie Down Productions, Boogie Down Productions.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.