Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Japan and from Bremen.
But I was there.

I was there in 1977.
I was there at the first Mistral show in Amsterdam.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1963 to 1971.
I'm losing my edge.

To all the kids in Toronto and Mumbai.
I'm losing my edge to the art-school Jakarta kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1965 at the first Beefheart practice in a loft in Lancaster.
I was working on the clarinet sounds with much patience.
I was there when Michael McDonald started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Colin Newman to the rap kids.
I played it at the 40 Watt.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Banda Bassotti. All the underground hits.

All EPMD tracks. I heard you have a vinyl of every Eden Ahbez record on German import.

I heard that you have a white label of every seminal grunge hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '70s.

I hear you're buying a chamberlin and a sitar and are throwing your macbook out the window because you want to make something real. You want to make a New Age Steppers record.

I hear that you and your band have sold your harpsichord and bought a linndrum.
I hear that you and your band have sold your linndrum and bought a harpsichord.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Janne Schatter, Patti Smith, Piero Umiliani, Yellowson, Leonard Cohen, Laurel Aitken, The Five Americans, Monks, cv313, Main Source, Louis and Bebe Barron, Junior Murvin, Gong, Scott Walker, Drexciya, Qualms, Tubeway Army, The Moody Blues, The Fall, Joe Smooth, Au Pairs, Carl Craig, Man Parrish, Visage, Althea and Donna, The Offenders, Rhythim Is Rhythim, The Last Poets, Desert Stars, 8 Eyed Spy, Joy Division, Second Layer, Bluetip, Idris Muhammad, Joey Negro, the Human League, Arab on Radar, Susan Cadogan, Ken Boothe, Electric Prunes, X-101, Bootsy's Rubber Band, Jeff Lynne, It's A Beautiful Day, Sarah Menescal, Negative Approach, Altered Images, Smog, Country Teasers, Television, Pagans, Faraquet, Ice-T, Marc Almond, Cabaret Voltaire, Animal Collective, The Evens, Ronan, Bad Manners, Fluxion, Sam Rivers, Sticky Fingaz feat. Raekwon, Sticky Fingaz feat. Raekwon, Sticky Fingaz feat. Raekwon, Sticky Fingaz feat. Raekwon.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)