Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Gabon and from Bremen.
But I was there.

I was there in 1965.
I was there at the first Beefheart show in Lancaster.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1963 to 1975.
I'm losing my edge.

To all the kids in Philadelphia and Houston.
I'm losing my edge to the art-school Taipei kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1977 at the first Human League practice in a loft in Sheffield.
I was working on the arpeggiator sounds with much patience.
I was there when David Bowie started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Moebius to the grime kids.
I played it at Trash.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by ABBA. All the underground hits.

All Faust tracks. I heard you have a vinyl of every Radio Birdman record on German import.

I heard that you have a white label of every seminal grime hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '90s.

I hear you're buying a güiro and a rhodes and are throwing your macbook out the window because you want to make something real. You want to make a Monks record.

I hear that you and your band have sold your clarinet and bought a 808.
I hear that you and your band have sold your 808 and bought a clarinet.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

the Swans, The Sonics, Tim Buckley, Barry Ungar, Richard Hell and the Voidoids, Swans, Graham Central Station, Liliput, New Order, Quadrant, Wings, Slave, Dark Day, Mandrill, MDC, Marmalade, LL Cool J, Infiniti, Eric Copeland, Barclay James Harvest, Porter Ricks, Eli Mardock, The Walker Brothers, The Gun Club, Alphaville, Arcadia, Cecil Taylor, Underground Resistance, Essential Logic, Ultravox, Lower 48, Manfred Mann's Earth Band, E-Dancer, Aloha Tigers, The Black Dice, Drive Like Jehu, Intrusion, The Moleskins, Los Fastidios, Peter Gordon & Love of Life Orchestra, Notorious BIG live in Amsterdam, Sonic Youth, Vladislav Delay, The Move, Marine Girls, The Searchers, A Flock of Seagulls, Brick, Anakelly, The Raincoats, Idris Muhammad, Dr. Dre and Snoop Doggy Dog, Dave Gahan, Crime, Nation of Ulysses, Newcleus, Yaz, Wolf Eyes, The Seeds, Sunsets and Hearts, The Doobie Brothers, Colin Newman, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)