Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Suriname and from Tokyo.
But I was there.
I was there in 1968.
I was there at the first Bowie show in Bromley.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1967 to 1977.
I'm losing my edge.
To all the kids in Glasgow and Toronto.
I'm losing my edge to the art-school Paris kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1977 at the first Human League practice in a loft in Sheffield.
I was working on the 808 sounds with much patience.
I was there when Holger Czukay started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing The Doobie Brothers to the electroclash kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Cybotron. All the underground hits.
All Eric B and Rakim tracks. I heard you have a vinyl of every The Offenders record on German import.
I heard that you have a white label of every seminal disco hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '90s.
I hear you're buying a güiro and a spring reverb and are throwing your macbook out the window because you want to make something real. You want to make a Yazoo record.
I hear that you and your band have sold your oboe and bought a spring reverb.
I hear that you and your band have sold your spring reverb and bought an oboe.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Nation of Ulysses,
Drive Like Jehu,
Absolute Body Control,
A Flock of Seagulls,
The Cramps,
Thompson Twins,
Junior Murvin,
Marshall Jefferson,
Albert Ayler,
Rhythm & Sound,
The Fuzztones,
Whodini,
Buzzcocks,
Procol Harum,
Thee Headcoats,
Liliput,
Graham Central Station,
Porter Ricks,
Chris Corsano,
Amon Düül II,
Roger Hodgson,
Sex Pistols,
cv313,
Pete Rock & C.L. Smooth,
June of 44,
Josef K,
Oneida,
Lucky Dragons,
Sonic Youth,
Bobby Hutcherson,
The Flesh Eaters,
Fat Boys,
Amon Düül,
Scratch Acid,
Morten Harket,
Duran Duran,
X-Ray Spex,
Selector Dub Narcotic,
Das Ding,
Radiopuhelimet,
Amazonics,
Tom Boy,
Rowland S Howard / Lydia Lunch,
The Divine Comedy,
It's A Beautiful Day,
Pussy Galore,
Manfred Mann's Earth Band,
Shuggie Otis,
The Young Rascals,
Technova,
Mad Mike,
Cybotron,
Fatback Band,
Arcadia,
D'Angelo,
Man Eating Sloth,
Blancmange,
The Buckinghams,
Jeru the Damaja,
Skaos,
The Tremeloes,
Danielle Patucci, Danielle Patucci, Danielle Patucci, Danielle Patucci.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.