Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Kazakhstan and from Manila.
But I was there.

I was there in 1979.
I was there at the first Josef K show in Edinburgh.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1972.
I'm losing my edge.

To all the kids in Lille and Salvador.
I'm losing my edge to the art-school Accra kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1978 at the first Visage practice in a loft in London.
I was working on the güiro sounds with much patience.
I was there when David Bowie started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Ten City to the rock kids.
I played it at the Astoria.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by The Walker Brothers. All the underground hits.

All Khruangbin tracks. I heard you have a vinyl of every Loose Ends record on German import.

I heard that you have a white label of every seminal funk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '80s.

I hear you're buying a rhodes and a linndrum and are throwing your macbook out the window because you want to make something real. You want to make a Bobby Hutcherson record.

I hear that you and your band have sold your arpeggiator and bought a snare.
I hear that you and your band have sold your snare and bought an arpeggiator.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Drive Like Jehu, The Misunderstood, Ossler, Jesper Dahlback, Camron Feat. Memphis Bleek And Beenie Seigel, DNA, Erykah Badu, K-Klass, Nik Kershaw, Lizzy Mercier Descloux, Flash Fearless, Loose Ends, Louis and Bebe Barron, Wire, Underground Resistance, Gong, Minor Threat, Derrick Morgan, Infiniti, Nico, The Velvet Underground, Avey Tare & Kría Brekkan, In Retrospect, Heavy D & The Boyz, Fad Gadget, Cecil Taylor, Echospace, Ralphi Rosario, 10cc, The Leaves, Zapp, Jimmy McGriff, The Fortunes, Oblivians, Cameo, Marc Romboy vs. Booka Shade, The Royal Family And The Poor, Pulsallama, Davy DMX, The Moody Blues, Morten Harket, Peter & Gordon, The Sisters of Mercy, The Walker Brothers, Jesper Dahlbäck, Frankie Knuckles, Avey Tare, Electric Light Orchestra, Eddi Front, Gang Green, Terror Squad Feat. Camron, Dawn Penn, Procol Harum, Nirvana, The Saints, Faraquet, Blossom Toes, Qualms, Siouxsie and the Banshees, The Zeros, ABC, Lucky Dragons, Camron Feat. Jay Z And Juelz, Camron Feat. Jay Z And Juelz, Camron Feat. Jay Z And Juelz, Camron Feat. Jay Z And Juelz.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)