Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Guyana and from Salvador.
But I was there.

I was there in 1976.
I was there at the first Feelies show in Haledon.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1962 to 1973.
I'm losing my edge.

To all the kids in Seoul and Philadelphia.
I'm losing my edge to the art-school Lille kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1965 at the first Beefheart practice in a loft in Lancaster.
I was working on the rhodes sounds with much patience.
I was there when Holger Czukay started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Wighnomy Brothers & Robag Wruhme to the dance kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Throbbing Gristle. All the underground hits.

All Hot Snakes tracks. I heard you have a vinyl of every The Evens record on German import.

I heard that you have a white label of every seminal crunk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '90s.

I hear you're buying a mellotron and a linndrum and are throwing your macbook out the window because you want to make something real. You want to make a Model 500 record.

I hear that you and your band have sold your sitar and bought a marimba.
I hear that you and your band have sold your marimba and bought a sitar.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Surgeon, Joyce Sims, Gian Franco Pienzio, Babytalk, Archie Shepp, Heavy D & The Boyz, Sly & The Family Stone, Scratch Acid, The Fall, the Association, Kings Of Tomorrow, Youth Brigade, The Gladiators, Josef K, The Dirtbombs, Liliput, Erykah Badu, Barbara Tucker, The Misunderstood, Tim Buckley, Jawbox, Donny Hathaway, Manfred Mann's Earth Band, The Human League, Cameo, Von Mondo, Robert Görl, Throbbing Gristle, The Monochrome Set, Lalann, Wire, Yusef Lateef, Jerry Gold Smith, Johnny Clarke, The Offenders, the Sonics, DJ Style, Organ, Subhumans, Robert Hood, Rakim, PIL, Lebanon Hanover, F. McDonald, Motorama, Rowland S Howard / Lydia Lunch, Tres Demented, The Walker Brothers, Lou Reed, Danielle Patucci, FM Einheit, Skarface, Mantronix, Delta 5, The Doobie Brothers, Soft Cell, It's A Beautiful Day, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)