Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Fiji and from Bologna.
But I was there.

I was there in 1968.
I was there at the first Bowie show in Bromley.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1968 to 1971.
I'm losing my edge.

To all the kids in Philadelphia and Beijing.
I'm losing my edge to the art-school Winnipeg kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1970 at the first Onyeabor practice in a loft in Enugu.
I was working on the chamberlin sounds with much patience.
I was there when Robert Palmer started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Agent Orange to the disco kids.
I played it at Cafe Wha.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by X-102. All the underground hits.

All The Zeros tracks. I heard you have a vinyl of every Sarah Menescal record on German import.

I heard that you have a white label of every seminal crunk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '90s.

I hear you're buying a 808 and a güiro and are throwing your macbook out the window because you want to make something real. You want to make a Barbara Tucker record.

I hear that you and your band have sold your linndrum and bought a mellotron.
I hear that you and your band have sold your mellotron and bought a linndrum.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Peter & Gordon, The Sonics, Essential Logic, Joyce Sims, Rosa Yemen, Das Ding, Camron Feat. Jay Z And Juelz, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Henry Cow, Eric B and Rakim, Larry & the Blue Notes, Johnny Osbourne, The Fall, Idris Muhammad, Fear, The New Christs, Surgeon, The Knickerbockers, Scion, China Crisis, The Gun Club, Babytalk, Ken Boothe, Neil Young, Ponytail, Sunsets and Hearts, Funky Four + One, Bad Manners, Con Funk Shun, The Slits, Wighnomy Brothers & Robag Wruhme, Infiniti, Siglo XX, Oneida, Harpers Bizarre, Television, Delta 5, Rhythim Is Rhythim, Buzzcocks, Public Enemy, Echospace, ABBA, Can, Patti Smith, Main Source, Bill Near, Vladislav Delay, Bronski Beat, Massinfluence, These Immortal Souls, Scientists, Jawbox, the Bar-Kays, The Durutti Column, Quando Quango, Monolake, Rakim, The Happenings, The Five Americans, The Five Americans, The Five Americans, The Five Americans.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)