Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Micronesia and from Manchester.
But I was there.
I was there in 1976.
I was there at the first Wire show in Watford.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1966 to 1978.
I'm losing my edge.
To all the kids in Madrid and Sao Paulo.
I'm losing my edge to the art-school Manchester kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1977 at the first Human League practice in a loft in Sheffield.
I was working on the mellotron sounds with much patience.
I was there when Michael McDonald started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing The Motions to the electroclash kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Chrome. All the underground hits.
All Yazoo tracks. I heard you have a vinyl of every Buzzcocks record on German import.
I heard that you have a white label of every seminal funk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '70s cut and another box set from the '90s.
I hear you're buying a güiro and a rhodes and are throwing your macbook out the window because you want to make something real. You want to make a Oneida record.
I hear that you and your band have sold your arpeggiator and bought a theremin.
I hear that you and your band have sold your theremin and bought an arpeggiator.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Black Bananas,
Metal Thangz,
Brand Nubian,
8 Eyed Spy,
Kool Moe Dee,
Barry Ungar,
The Moody Blues,
Dark Day,
Jacob Miller,
The Detroit Cobras,
Quadrant,
The Shadows of Knight,
OOIOO,
Echo & the Bunnymen,
Henry Cow,
Slave,
Talk Talk,
La Düsseldorf,
The Litter,
kango's stein massive,
Barrington Levy,
Aaron Thompson,
Camouflage,
Massinfluence,
Pet Shop Boys,
Bang On A Can,
Warren Ellis,
Larry & the Blue Notes,
Sunsets and Hearts,
The Blackbyrds,
Chris & Cosey,
Magma,
John Lydon,
Easy Going,
Lou Christie,
James White and The Blacks,
Crash Course in Science,
MDC,
Mantronix,
Dorothy Ashby,
Gang Green,
Gichy Dan,
X-Ray Spex,
Godley & Creme,
Eurythmics,
Bill Near,
The Standells,
Surgeon,
Shuggie Otis,
Marc Almond,
Pylon,
Roxy Music,
The Offenders,
Justin Hinds & The Dominoes,
Absolute Body Control,
Nick Cave & The Bad Seeds,
Mr. Review,
The Cosmic Jokers,
The Dead C,
Notorious BIG live in Amsterdam,
Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.