Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Samoa and from Beijing.
But I was there.

I was there in 1977.
I was there at the first Zapp show in Hamilton.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1965 to 1974.
I'm losing my edge.

To all the kids in Lille and Manila.
I'm losing my edge to the art-school Lille kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1979 at the first Second Layer practice in a loft in South London.
I was working on the güiro sounds with much patience.
I was there when Robert Palmer started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Oppenheimer Analysis to the crunk kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Simply Red. All the underground hits.

All Monolake tracks. I heard you have a vinyl of every Moby Grape record on German import.

I heard that you have a white label of every seminal grunge hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '90s.

I hear you're buying an oboe and a mellotron and are throwing your macbook out the window because you want to make something real. You want to make a Kauko Röyhkä ja Narttu record.

I hear that you and your band have sold your rhodes and bought a marimba.
I hear that you and your band have sold your marimba and bought a rhodes.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Guru Guru, Bizarre Inc., Stiv Bators, Tropical Tobacco, The Happenings, Anakelly, Oppenheimer Analysis, X-102, The Red Krayola, the Swans, The Victims, Eyeless In Gaza, This Heat, The Cure, Essential Logic, Soft Machine, Eric Dolphy, Deadbeat, Swell Maps, Lower 48, Rhythm & Sound, Super Lover Cee & Casanova Rud, David Bowie, Qualms, Hasil Adkins, The Mummies, Buzzcocks, Can, Dorothy Ashby, The New Christs, Fela Kuti, Suicide, Symarip, Cymande, Siglo XX, Terror Squad Feat. Camron, Jandek, Pantytec, Henry Cow, Goldenarms, The Black Dice, Boz Scaggs, FM Einheit, The Cramps, The Barracudas, Man Eating Sloth, Michelle Simonal, Malaria!, Glambeats Corp., Roxette, Reuben Wilson, Harmonia, Vladislav Delay, Darondo, Warren Ellis, Hashim, The Moody Blues, Wasted Youth, Archie Shepp, the Soft Cell, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)