Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Libya and from Accra.
But I was there.
I was there in 1976.
I was there at the first Wire show in Watford.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1966 to 1970.
I'm losing my edge.
To all the kids in Sao Paulo and Houston.
I'm losing my edge to the art-school Shanghai kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1962 at the first Guess Who practice in a loft in Winnipeg.
I was working on the 808 sounds with much patience.
I was there when Lou Reed started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Slave to the rock kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Ultravox. All the underground hits.
All Clear Light tracks. I heard you have a vinyl of every Sexual Harrassment record on German import.
I heard that you have a white label of every seminal dance hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '70s.
I hear you're buying a snare and an organ and are throwing your macbook out the window because you want to make something real. You want to make a The Cowsills record.
I hear that you and your band have sold your harpsichord and bought an organ.
I hear that you and your band have sold your organ and bought a harpsichord.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
David McCallum,
The Divine Comedy,
The J.B.'s,
Chrome,
Yusef Lateef,
Lakeside,
Fifty Foot Hose,
Quando Quango,
Pete Rock & C.L. Smooth,
Ajijia Myrayebe,
Quadrant,
The Modern Lovers,
Pharaoh Sanders and the Fire Engines,
Warsaw,
Marc Almond,
Los Fastidios,
Tomorrow,
Urselle,
Can,
Bang On A Can,
A Certain Ratio,
Ice-T,
Camron Feat. Memphis Bleek And Beenie Seigel,
Bauhaus,
Kerri Chandler,
The Invisible,
Cluster,
Blake Baxter,
The Neon Judgement,
Gang Starr,
The Smiths,
Unrelated Segments,
Parry Music,
The Count Five,
The Names,
Schoolly D,
The Beau Brummels,
Hasil Adkins,
Ludus,
The Litter,
Laurel Aitken,
Alison Limerick,
Man Parrish,
Joensuu 1685,
Deakin,
The Shadows of Knight,
Röyhkä ja Rättö ja Lehtisalo,
The Music Machine,
Lalo Schifrin,
Terror Squad Feat. Camron,
Gang Green,
EPMD,
Cabaret Voltaire,
Boredoms,
The Gories,
The Motions,
New Order,
Amazonics,
Eric Copeland,
Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.