Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Djibouti and from Glasgow.
But I was there.

I was there in 1980.
I was there at the first Cybotron show in Detroit.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1961 to 1970.
I'm losing my edge.

To all the kids in Taipei and Salvador.
I'm losing my edge to the art-school Milan kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1976 at the first Feelies practice in a loft in Haledon.
I was working on the oboe sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Shoche to the rap kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by The West Coast Pop Art Experimental Band. All the underground hits.

All Country Teasers tracks. I heard you have a vinyl of every Orchestral Manoeuvres in the Dark record on German import.

I heard that you have a white label of every seminal grunge hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '70s.

I hear you're buying an organ and a snare and are throwing your macbook out the window because you want to make something real. You want to make a The West Coast Pop Art Experimental Band record.

I hear that you and your band have sold your linndrum and bought an arpeggiator.
I hear that you and your band have sold your arpeggiator and bought a linndrum.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

The Durutti Column, Eyeless In Gaza, Masta Ace, Craig G, Kool G Rap, Big Daddy Kane, The Toasters, Youth Brigade, Jimmy McGriff, The Evens, Peter and Kerry, Television, Leonard Cohen, Sonny Sharrock, Barrington Levy, Sun Ra Arkestra, Scrapy, Radiopuhelimet, Ronnie Foster, Procol Harum, Jerry Gold Smith, Kerrie Biddell, Sly & The Family Stone, The Wake, Sticky Fingaz feat. Raekwon, Deepchord, Graham Central Station, Big Daddy Kane, the Fania All-Stars, The Cramps, UT, Selector Dub Narcotic, James White and The Blacks, B.T. Express, Newcleus, Avey Tare, Audionom, Glambeats Corp., Agent Orange, Cal Tjader, Black Pus, Moby Grape, the Association, Liliput, Donald Byrd, Swell Maps, Intrusion, David McCallum, Colin Newman, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Fad Gadget, Delta 5, Justin Hinds & The Dominoes, Yaz, John Foxx, Delon & Dalcan, Maleditus Sound, Basic Channel, The Gap Band, a-ha, Popol Vuh, Babytalk, Matthew Bourne, Erykah Badu, Erykah Badu, Erykah Badu, Erykah Badu.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)