Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Italy and from Tokyo.
But I was there.
I was there in 1973.
I was there at the first Television show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1963 to 1971.
I'm losing my edge.
To all the kids in Manchester and Mumbai.
I'm losing my edge to the art-school Cairo kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Soft Boys practice in a loft in Cambridge.
I was working on the synthesizer sounds with much patience.
I was there when Tom Verlaine started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Barbara Tucker to the techno kids.
I played it at the Crocodile.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Notorious Big And Bone Thugs. All the underground hits.
All Yellowson tracks. I heard you have a vinyl of every Marvin Gaye record on German import.
I heard that you have a white label of every seminal grunge hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.
I hear you're buying a güiro and a mellotron and are throwing your macbook out the window because you want to make something real. You want to make a Radiohead record.
I hear that you and your band have sold your organ and bought a chamberlin.
I hear that you and your band have sold your chamberlin and bought an organ.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Erasure,
The Vogues,
Jesper Dahlbäck,
Scion,
Fela Kuti,
Röyhkä ja Rättö ja Lehtisalo,
Aloha Tigers,
Vladislav Delay,
Ossler,
Ajijia Myrayebe,
The Toasters,
Cybotron,
Television Personalities,
Jacob Miller,
Excepter,
Isaac Hayes,
Von Mondo,
Prince Buster,
The Star Department,
cv313,
Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic,
Lizzy Mercier Descloux,
Ronnie Foster,
Minor Threat,
Gang Green,
Strawberry Alarm Clock,
The Angels of Light,
The Count Five,
John Foxx,
Lungfish,
The Sonics,
Ken Boothe,
Jeru the Damaja,
Chris & Cosey,
Guru Guru,
Anakelly,
Crash Course in Science,
Bluetip,
The Smiths,
The Electric Prunes,
Goldenarms,
Crispian St. Peters,
48th St. Collective,
Drexciya,
Moss Icon,
Peter & Gordon,
Kurtis Blow,
The Kinks,
Vainqueur,
The Wake,
X-102,
Captain Beefheart & His Magic Band,
Davy DMX,
New Order,
Pulsallama,
Matthew Bourne,
Index,
Jeff Lynne,
Roger Hodgson,
Sarah Menescal,
U.S. Maple,
Nik Kershaw, Nik Kershaw, Nik Kershaw, Nik Kershaw.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.