Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Egypt and from Manchester.
But I was there.

I was there in 1977.
I was there at the first Human League show in Sheffield.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1974.
I'm losing my edge.

To all the kids in Woodstock and Lyon.
I'm losing my edge to the art-school Paris kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1983 at the first Bronski Beat practice in a loft in Brixton.
I was working on the organ sounds with much patience.
I was there when David Bowie started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Brand Nubian to the dance kids.
I played it at Trash.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Pere Ubu. All the underground hits.

All Bill Near tracks. I heard you have a vinyl of every Robert Hood record on German import.

I heard that you have a white label of every seminal rap hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.

I hear you're buying a harpsichord and a güiro and are throwing your macbook out the window because you want to make something real. You want to make a Bobby Womack record.

I hear that you and your band have sold your güiro and bought a sitar.
I hear that you and your band have sold your sitar and bought a güiro.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Deadbeat, Parry Music, Terrestrial Tones, Gary Puckett & The Union Gap, Rufus Thomas, N.O.R.E. Featuring Pharrell, Nils Olav, Robert Hood, The Moleskins, Whodini, La Düsseldorf, Outsiders, Tomorrow, Goldenarms, Monks, Kerri Chandler, The United States of America, Aaron Thompson, Gian Franco Pienzio, Heaven 17, Pharaoh Sanders and the Fire Engines, Richard Hell and the Voidoids, Deepchord, Todd Terry, Roger Hodgson, the Normal, Rekid, Mantronix, John Cale, Electric Prunes, Bobbi Humphrey, John Holt, Bootsy Collins, Skaos, Yazoo, Red Lorry Yellow Lorry, Ronan, Sex Pistols, Television, Electric Light Orchestra, Beasts of Bourbon, 8 Eyed Spy, The Gladiators, Funky Four + One, The Beau Brummels, Fat Boys, Half Japanese, ABBA, Quantec, Anakelly, Terror Squad Feat. Camron, Laurel Aitken, Desert Stars, Essential Logic, Mad Mike, Don Cherry, Theoretical Girls, Captain Beefheart & His Magic Band, Sound Behaviour, Scott Walker + Sunn O))), Kauko Röyhkä ja Narttu, Kauko Röyhkä ja Narttu, Kauko Röyhkä ja Narttu, Kauko Röyhkä ja Narttu.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)