Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Malawi and from Philadelphia.
But I was there.

I was there in 1976.
I was there at the first Chic show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1965 to 1973.
I'm losing my edge.

To all the kids in Woodstock and Sao Paulo.
I'm losing my edge to the art-school Seoul kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1967 at the first Rodriguez practice in a loft in Detroit.
I was working on the 808 sounds with much patience.
I was there when Nile Rodgers started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Aswad to the grime kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Lightning Bolt. All the underground hits.

All The Martian tracks. I heard you have a vinyl of every Lightning Bolt record on German import.

I heard that you have a white label of every seminal disco hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.

I hear you're buying a harpsichord and a theremin and are throwing your macbook out the window because you want to make something real. You want to make a Skriet record.

I hear that you and your band have sold your oboe and bought a rhodes.
I hear that you and your band have sold your rhodes and bought an oboe.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

the Bar-Kays, The Smiths, Kool Moe Dee, Porter Ricks, Sonny Sharrock, Mary Jane Girls, Throbbing Gristle, Icehouse, Livin' Joy, June Days, Joey Negro, Black Sheep, Theoretical Girls, Quando Quango, Bootsy's Rubber Band, Oblivians, Scott Walker + Sunn O))), Peter & Gordon, Depeche Mode, Dual Sessions, Suicide, Marvin Gaye, Altered Images, The Victims, Fatback Band, D'Angelo, The Names, Peter Gordon & Love of Life Orchestra, The Divine Comedy, Slave, Bootsy Collins, Nico, Robert Görl, Carl Craig, Agent Orange, Cluster, The Seeds, Harmonia, The Zeros, The Sound, Alison Limerick, The Standells, The Beau Brummels, One Last Wish, the Slits, Bill Wells, Beasts of Bourbon, The Count Five, JFA, Main Source, Iggy Pop, Saccharine Trust, Terrestrial Tones, Angry Samoans, Magma, Don Cherry, Lower 48, Terry Callier, Leonard Cohen, The Neon Judgement, Sun Ra, The Pop Group, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)