Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from St Lucia and from Salvador.
But I was there.
I was there in 1983.
I was there at the first Bronski Beat show in Brixton.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1962 to 1971.
I'm losing my edge.
To all the kids in Mumbai and Taipei.
I'm losing my edge to the art-school Bremen kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1983 at the first Lewis practice in a loft in Vancouver.
I was working on the güiro sounds with much patience.
I was there when Michael McDonald started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Minutemen to the rock kids.
I played it at the Crocodile.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Kenny Larkin. All the underground hits.
All Radiopuhelimet tracks. I heard you have a vinyl of every Louis and Bebe Barron record on German import.
I heard that you have a white label of every seminal dance hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '80s.
I hear you're buying a theremin and a harpsichord and are throwing your macbook out the window because you want to make something real. You want to make a Erykah Badu record.
I hear that you and your band have sold your spring reverb and bought a harpsichord.
I hear that you and your band have sold your harpsichord and bought a spring reverb.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Porter Ricks,
Pere Ubu,
Bootsy's Rubber Band,
Japan,
the Association,
The Slackers,
Neu!,
Joe Smooth,
Minnie Riperton,
Howard Jones,
Kerri Chandler,
Camron Feat. Jay Z And Juelz,
cv313,
Gil Scott Heron,
Roy Ayers Ubiquity,
Sällskapet,
Derrick May,
Bronski Beat,
June Days,
The West Coast Pop Art Experimental Band,
MC5,
The Searchers,
Curtis Mayfield,
Deadbeat,
Girls At Our Best!,
David Bowie,
Jacob Miller,
Matthew Bourne,
Ice-T,
The Men They Couldn't Hang,
The Divine Comedy,
Newcleus,
The Stooges,
Junior Murvin,
Index,
John Lydon,
Scrapy,
CMW,
The Star Department,
Sandy B,
Nas,
Angels of Light & Akron/Family,
Sonny Sharrock,
Lalann,
Eddi Front,
Heavy D & The Boyz,
Scan 7,
Ornette Coleman,
Fifty Foot Hose,
Kayak,
The Red Krayola,
Bill Near,
The Electric Prunes,
Malaria!,
Bluetip,
Byron Stingily,
New Age Steppers,
Lee Hazlewood,
The Count Five,
Kurtis Blow,
The Cowsills,
Gang Starr,
Notorious BIG live in Amsterdam, Notorious BIG live in Amsterdam, Notorious BIG live in Amsterdam, Notorious BIG live in Amsterdam.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.