Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Guyana and from Seoul.
But I was there.
I was there in .
I was there at the first Suicide show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1977.
I'm losing my edge.
To all the kids in Paris and Woodstock.
I'm losing my edge to the art-school Houston kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Soft Boys practice in a loft in Cambridge.
I was working on the clarinet sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Groovy Waters to the crunk kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Urselle. All the underground hits.
All Monks tracks. I heard you have a vinyl of every Tears for Fears record on German import.
I heard that you have a white label of every seminal electroclash hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.
I hear you're buying a guitar and an oboe and are throwing your macbook out the window because you want to make something real. You want to make a Black Flag record.
I hear that you and your band have sold your chamberlin and bought a spring reverb.
I hear that you and your band have sold your spring reverb and bought a chamberlin.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Electric Light Orchestra,
48th St. Collective,
Pole,
Ituana,
Das Ding,
Dave Gahan,
Lonnie Liston Smith,
Easy Going,
The Invisible,
The Fire Engines,
The Royal Family And The Poor,
K-Klass,
Black Sheep,
Grandmaster Flash,
Cymande,
New Order,
Lebanon Hanover,
Dr. Dre and Snoop Doggy Dog,
Rapeman,
Grandmaster Flash and the Furious Five,
Todd Terry,
Terror Squad Feat. Camron,
Marshall Jefferson,
Theoretical Girls,
Royal Trux,
Shuggie Otis,
Popol Vuh,
These Immortal Souls,
Spandau Ballet,
June of 44,
Slave,
Eddi Front,
Avey Tare's Slasher Flicks,
Boredoms,
Television,
Make Up,
Morten Harket,
Leonard Cohen,
R.M.O.,
Lyres,
The Gories,
Black Flag,
Camron Feat. Jay Z And Juelz,
Eric Dolphy,
Gang Green,
Arthur Verocai,
Crash Course in Science,
Nick Cave & The Bad Seeds,
Kenny Larkin,
Rekid,
The Trojans,
Peter Gordon & Love of Life Orchestra,
Junior Murvin,
Gang of Four,
Eyeless In Gaza,
The Gun Club,
Groovy Waters,
Technova,
L. Decosne,
The Mojo Men,
Blancmange,
Bauhaus,
kango's stein massive, kango's stein massive, kango's stein massive, kango's stein massive.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.