Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Jamaica and from Manchester.
But I was there.
I was there in 1976.
I was there at the first Buzzcocks show in Bolton.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1969 to 1974.
I'm losing my edge.
To all the kids in Accra and Beijing.
I'm losing my edge to the art-school Bremen kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1977 at the first Mistral practice in a loft in Amsterdam.
I was working on the arpeggiator sounds with much patience.
I was there when Robert Palmer started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Electric Light Orchestra to the electroclash kids.
I played it at CBGB's.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Gary Puckett & The Union Gap. All the underground hits.
All Scientists tracks. I heard you have a vinyl of every Minnie Riperton record on German import.
I heard that you have a white label of every seminal funk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.
I hear you're buying an organ and a mellotron and are throwing your macbook out the window because you want to make something real. You want to make a Oppenheimer Analysis record.
I hear that you and your band have sold your rhodes and bought a 808.
I hear that you and your band have sold your 808 and bought a rhodes.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
The Angels of Light,
Rowland S Howard / Lydia Lunch,
Smog,
The Alarm Clocks,
Pharoah Sanders,
B.T. Express,
The Misunderstood,
Quantec,
The Saints,
Grauzone,
Fear,
Bush Tetras,
Pulsallama,
Henry Cow,
One Last Wish,
Kayak,
Avey Tare & Kría Brekkan,
Television Personalities,
Tommy Roe,
Arthur Verocai,
Kings Of Tomorrow,
Ten City,
Vladislav Delay,
James Chance & The Contortions,
The Music Machine,
Wighnomy Brothers & Robag Wruhme,
T.S.O.L.,
Sad Lovers and Giants,
The Martian,
Icehouse,
Pierre Henry,
Siouxsie and the Banshees,
Sound Behaviour,
Sister Nancy,
Surgeon,
Junior Murvin,
Morten Harket,
Richard Hell and the Voidoids,
Wally Richardson,
cv313,
The Men They Couldn't Hang,
Royal Trux,
The Cramps,
The Victims,
Joy Division,
Joey Negro,
Barrington Levy,
Echospace,
Sparks,
Masters at Work,
John Lydon,
The Smoke,
The Mighty Diamonds,
Desert Stars,
Graham Central Station,
PIL,
Tears for Fears,
Talk Talk,
Crooked Eye,
Magma,
Harmonia,
Section 25,
Theoretical Girls,
Altered Images, Altered Images, Altered Images, Altered Images.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.