Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from France and from Calgary.
But I was there.
I was there in 1977.
I was there at the first Human League show in Sheffield.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1971.
I'm losing my edge.
To all the kids in Bremen and Paris.
I'm losing my edge to the art-school Beijing kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Buzzcocks practice in a loft in Bolton.
I was working on the chamberlin sounds with much patience.
I was there when Robert Palmer started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing E-Dancer to the grime kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Wighnomy Brothers & Robag Wruhme. All the underground hits.
All Henry Cow tracks. I heard you have a vinyl of every John Coltrane record on German import.
I heard that you have a white label of every seminal disco hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '80s.
I hear you're buying a güiro and an organ and are throwing your macbook out the window because you want to make something real. You want to make a The Cramps record.
I hear that you and your band have sold your oboe and bought a snare.
I hear that you and your band have sold your snare and bought an oboe.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Ornette Coleman,
Sällskapet,
Youth Brigade,
Gastr Del Sol,
The Sisters of Mercy,
The Gladiators,
Nick Fraelich,
June of 44,
Ohio Players,
EPMD,
Fat Boys,
Bizarre Inc.,
MC5,
Neil Young,
Neil Young & Crazy Horse,
Lou Reed,
Ajijia Myrayebe,
Bronski Beat,
Yaz,
Gil Scott-Heron and Jamie xx,
Whodini,
Crispy Ambulance,
Cal Tjader,
Monks,
Minnie Riperton,
KRS-One,
John Cale,
the Human League,
Ash Ra Tempel,
The Residents,
Gabor Szabo,
Cymande,
Gichy Dan,
Make Up,
Kerrie Biddell,
The Fire Engines,
John Foxx,
Altered Images,
Soft Machine,
Marc Almond,
Country Teasers,
Fort Wilson Riot,
Matthew Halsall,
Morten Harket,
Gerry Rafferty,
The Names,
the Bar-Kays,
Justin Hinds & The Dominoes,
Sound Behaviour,
Bootsy Collins,
Surgeon,
X-101,
Howard Jones,
Supertramp,
The Gap Band,
Hashim,
Jeff Mills,
Dawn Penn,
Simply Red,
Cecil Taylor,
Susan Cadogan,
Public Image Ltd., Public Image Ltd., Public Image Ltd., Public Image Ltd..
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.