Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Ecuador and from Paris.
But I was there.

I was there in 1962.
I was there at the first Guess Who show in Winnipeg.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1967 to 1978.
I'm losing my edge.

To all the kids in Taipei and Woodstock.
I'm losing my edge to the art-school Calgary kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1976 at the first Buzzcocks practice in a loft in Bolton.
I was working on the arpeggiator sounds with much patience.
I was there when Michael McDonald started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Intrusion to the disco kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Barry Ungar. All the underground hits.

All June of 44 tracks. I heard you have a vinyl of every The Victims record on German import.

I heard that you have a white label of every seminal grime hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '80s.

I hear you're buying a theremin and an organ and are throwing your macbook out the window because you want to make something real. You want to make a Joy Division record.

I hear that you and your band have sold your harpsichord and bought an organ.
I hear that you and your band have sold your organ and bought a harpsichord.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Jesper Dahlback, Aaron Thompson, Minnie Riperton, Tommy Roe, London Community Gospel Choir, Boogie Down Productions, Dennis Brown, Television Personalities, Darondo, Nico, Pet Shop Boys, Grey Daturas, Moby Grape, Ash Ra Tempel, Man Parrish, Freddie Wadling, Accadde A, Eddi Front, The Sonics, Simply Red, Janne Schatter, Ronnie Foster, Khruangbin, R.M.O., UT, Shuggie Otis, Black Sheep, Interpol, The Raincoats, Mission of Burma, The Black Dice, The Slits, Gil Scott-Heron & Brian Jackson, Maleditus Sound, Suburban Knight, Radiopuhelimet, Slave, Sam Rivers, Alphaville, Jesper Dahlbäck, Robert Hood, Johnny Osbourne, Wolf Eyes, Andrew Ashong & Theo Parrish, Gil Scott Heron, June of 44, The Last Poets, The Human League, Siouxsie and the Banshees, Yellowson, Echo & the Bunnymen, CMW, Pantaleimon, Röyhkä ja Rättö ja Lehtisalo, Deadbeat, Wasted Youth, The Buckinghams, U.S. Maple, Fluxion, Loose Ends, Fatback Band, Sticky Fingaz feat. Raekwon, Sticky Fingaz feat. Raekwon, Sticky Fingaz feat. Raekwon, Sticky Fingaz feat. Raekwon.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)