Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Indonesia and from Copenhagen.
But I was there.

I was there in 1962.
I was there at the first Guess Who show in Winnipeg.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1963 to 1976.
I'm losing my edge.

To all the kids in Edmonton and Johannesburg.
I'm losing my edge to the art-school Madrid kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1965 at the first Beefheart practice in a loft in Lancaster.
I was working on the theremin sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Kings Of Tomorrow to the grunge kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by The Vogues. All the underground hits.

All The Searchers tracks. I heard you have a vinyl of every Spoonie Gee record on German import.

I heard that you have a white label of every seminal electroclash hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '70s.

I hear you're buying a güiro and a harpsichord and are throwing your macbook out the window because you want to make something real. You want to make a Ice-T record.

I hear that you and your band have sold your oboe and bought a snare.
I hear that you and your band have sold your snare and bought an oboe.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Howard Jones, Todd Terry, Wire, Grandmaster Flash, Toni Rubio, L. Decosne, 8 Eyed Spy, the Fania All-Stars, New Age Steppers, Pulsallama, Ronnie Foster, The Gladiators, Radiopuhelimet, Scan 7, CMW, Thompson Twins, Rowland S Howard / Lydia Lunch, Masta Ace, Craig G, Kool G Rap, Big Daddy Kane, Ultramagnetic MC's, Y Pants, Gong, The Raincoats, the Germs, Be Bop Deluxe, Ultravox, Circle Jerks, The Five Americans, Crispy Ambulance, Blake Baxter, Piero Umiliani, Q65, Frankie Knuckles, FM Einheit, Boz Scaggs, The Buckinghams, Massinfluence, Zero Boys, Tommy Roe, Flamin' Groovies, Quantec, Television, Pere Ubu, The Star Department, Moss Icon, Lou Reed, Bang On A Can, UT, Connie Case, Livin' Joy, Jesper Dahlback, The Doobie Brothers, Television Personalities, ABBA, Unwound, KRS-One, Parry Music, Fad Gadget, the Soft Cell, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Crispian St. Peters, Pharaoh Sanders and the Fire Engines, Pharaoh Sanders and the Fire Engines, Pharaoh Sanders and the Fire Engines, Pharaoh Sanders and the Fire Engines.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)