Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Swaziland and from Winnipeg.
But I was there.

I was there in 1987.
I was there at the first Nirvana show in Seattle.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1967 to 1979.
I'm losing my edge.

To all the kids in Mexico City and Columbus.
I'm losing my edge to the art-school Lyon kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1975 at the first Throbbing Gristle practice in a loft in London.
I was working on the theremin sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Althea and Donna to the dance kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by London Community Gospel Choir. All the underground hits.

All cv313 tracks. I heard you have a vinyl of every Minny Pops record on German import.

I heard that you have a white label of every seminal techno hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.

I hear you're buying an oboe and a theremin and are throwing your macbook out the window because you want to make something real. You want to make a Jerry's Kids record.

I hear that you and your band have sold your theremin and bought an oboe.
I hear that you and your band have sold your oboe and bought a theremin.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Don Cherry, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Camron Feat. Memphis Bleek And Beenie Seigel, Minny Pops, The Men They Couldn't Hang, Aswad, Soulsonic Force, James Chance & The Contortions, London Community Gospel Choir, Blake Baxter, the Slits, Ultravox, Lakeside, Janne Schatter, Nas, Radiohead, Royal Trux, Fatback Band, Bobby Sherman, Scion, The Seeds, the Soft Cell, Technova, Severed Heads, Grandmaster Flash and the Furious Five, Kerrie Biddell, Newcleus, Procol Harum, Metal Thangz, The Blackbyrds, Gang of Four, Flipper, Matthew Bourne, The Monochrome Set, Mission of Burma, Isaac Hayes, Deepchord, Nico, Bob Dylan, The Wake, Porter Ricks, Juan Atkins, Jimmy McGriff, In Retrospect, Laurel Aitken, Babytalk, Kevin Saunderson, Radiopuhelimet, Intrusion, Howard Jones, Angry Samoans, The Five Americans, Ponytail, A Certain Ratio, Davy DMX, EPMD, Big Daddy Kane, Average White Band, Electric Prunes, Spoonie Gee, Spoonie Gee, Spoonie Gee, Spoonie Gee.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)