Infinitely Losing My Edge

Generate another   or   share this link  

Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Guinea-Bissau and from Cairo.
But I was there.

I was there in 1976.
I was there at the first Soft Boys show in Cambridge.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1969 to 1972.
I'm losing my edge.

To all the kids in Hong Kong and Glasgow.
I'm losing my edge to the art-school Paris kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1971 at the first Selda practice in a loft in Istanbul.
I was working on the clarinet sounds with much patience.
I was there when Robert Palmer started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Harmonia to the funk kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Marcia Griffiths. All the underground hits.

All The Moleskins tracks. I heard you have a vinyl of every Max Romeo record on German import.

I heard that you have a white label of every seminal rap hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '80s.

I hear you're buying a chamberlin and a rhodes and are throwing your macbook out the window because you want to make something real. You want to make a The Golliwogs record.

I hear that you and your band have sold your 808 and bought a sitar.
I hear that you and your band have sold your sitar and bought a 808.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

The Gories, The Fuzztones, Second Layer, The Sound, The Men They Couldn't Hang, Ajijia Myrayebe, James Chance & The Contortions, B.T. Express, Black Bananas, the Swans, Pulsallama, Scott Walker, T.S.O.L., Traffic Nightmare, Jesper Dahlback, Orchestral Manoeuvres in the Dark, Kerri Chandler, Urselle, The Tremeloes, Crooked Eye, Country Joe & The Fish, Aaron Thompson, Sonic Youth, Sticky Fingaz feat. Raekwon, the Germs, Delon & Dalcan, Lalann, Zero Boys, U.S. Maple, Sonny Sharrock, Alphaville, Average White Band, The Flesh Eaters, Maurizio, Ultravox, Junior Murvin, Arthur Verocai, John Coltrane, The Searchers, Pylon, La Düsseldorf, Swans, Andrew Ashong & Theo Parrish, June of 44, Whodini, Marc Almond, Derrick May, Juan Atkins, Tom Boy, Tim Buckley, Section 25, The Dave Clark Five, The Barracudas, Lafayette Afro Rock Band, The Detroit Cobras, The Offenders, Shoche, Be Bop Deluxe, Black Sheep, The Cowsills, Buzzcocks, Slick Rick, Slick Rick, Slick Rick, Slick Rick.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)